Elena Chizhova, a former economist, teacher and entrepreneur, finally turned to writing in 1996 after being rescued from a burning cruise ship. Since that time she has been consumed by the need to write, and has enjoyed considerable success as a result. Chizhova’s prose shuns trickery in favour of emotional honesty in order to probe the weeping sores of Russian history that contemporary culture would sooner forget.

Born in 1947 in Moscow, Leonid Yuzefovich spent his youth in the Urals, graduating from the History Faculty of Perm University. He then became an officer in the Soviet Army, serving in Buryatia and Mongolia. Since 1984 he has lived in Moscow. With a PhD in history, Yuzefovich worked for many years as a school history teacher and did not start writing in earnest until late in life.

Ludmila Ulitskaya was born in 1943 in the Urals and graduated from Moscow University with a Degree of Master in Biology. She worked in the Institute of Genetics as a scientist. Shortly before Perestroika she became Repertory Director of the Hebrew Theatre of Moscow and began writing scripts. Ulitskaya can be defined as one of the most far-reaching contemporary Russian writers with over two million books sold worldwide.

A historian of medieval Russia by training, Vladimir Sharov , born 1952, began writing fiction in the late 1970s, echoing his father's own move from genetics to writing in the 1960s. Nevertheless, it was not until the 1990s that Sharov's highly unusual historical-philosophical novels came to the attention of the public. When they did, they caused genuine acrimony and controversy among the editors of influential literary journals, especially Novyi Mir.

The author of widely acclaimed novels, Shishkin is admired as a refined stylist whose fiction engages Russian and European literary traditions and forges an equally expansive vision for the future of literature. Born January 18, 1961 in Moscow, Shishkin worked as a school teacher and journalist. His writing debut in 1993, the short story Calligraphy Lesson, was named Best Debut of the Year by the literary journal Znamya.

Dina Rubina is one of the most widely-read Russian authors alive today. She was born in 1953, in Tashkent, Uzbekistan, where she later studied music at the Tashkent Conservatory. At sixteen her first short story appeared in the journal Iunost’, which continued to publish her work until the end of the Soviet Union. Life in the colourful environment of Tashkent was not always easy: Rubina had to turn to writing for stage and screen and finally moved to Moscow in the mid-1980s.

Dmitry Kosyrev is one of Russia’s leading thriller writers. Kosyrev, who writes under the distinctive alias Master Chen, a legacy of his long-standing interest in the Far East, was born in 1955 and studied Chinese history at Moscow State University and the Nanyang University of Singapore.Since the late 1970s he has been actively involved in the national media, writing on international politics for leading newspapers such as Pravda, Rossiiskaia gazeta and Nezavisimaia gazeta; he is a Member of the Board of the Foreign Policy Association.

Andrei Bitov is one of the most important Russian writers of the last fifty years, justly famous for his groundbreaking post-modern novel Pushkin House. Born in Leningrad in 1937, Bitov spent the war in evacuation in the Urals and Uzbekistan. After returning to his native city in 1944, Bitov became a geologist, travelling all over the Soviet Union. He started writing short stories in 1959, but did not become a full-time writer until he moved to Moscow in 1963.

Lev Danilkin is the leading literary critic of his generation, credited with making criticism accessible and even glamorous, and is acknowledged, and feared, as the man who can make or break a book. His reviews in the popular cultural digest Afisha are noted for the breadth of their scope and the verve of their writing and are required reading for literate young Russians.

Slavnikova began publishing fiction in the late 1980s (her first novel appeared in 1988), during which time she was also fiction editor, then managing editor, of the important literary magazine ‘Urals'. She has lived and worked in Moscow since 2001.

Maria Galina is one of the most interesting authors among those who made their names in the turbulent 1990s. She writes both literary and science fiction (with ten SF books to her credit). She is also a noted poet, a thoughtful critic, and translator of English and American science fiction, in all of which she excels. She is a winner of many important prizes for her prose and poetry and her critical essays.

A historian of medieval Russia by training, Vladimir Sharov (b. 1952) is the son of a geneticist who turned to writing prose, for children and adults, in the 1960s. Sharov himself began writing fiction in the late 1970s, but it was not until the 1990s that his highly unusual historiosophical novels came before the public gaze.

Sergei Lukyanenko, born in Kazakhstan, is one of the foremost Russian science-fiction writers and has received tremendously high acclaim abroad. Originally studying as a psychiatrist, Lukyanenko turned to science-fiction writing with the monthly publication of Where the Mean Enemy Lurks in 1988. However, the works that shot him to the dizzying heights that he now occupies were Knights of the Forty Islands

Friday 11 June, 7pm, Apollo Cinema
Maria Galina and Arkady Shtipel, two distinguished contemporary Russian poets, will read their poetry (in Russian). Maria Galina is a poet and writer whose work is made up of a colourful mix of the ordinary and the extraordinary. Her avant-garde writing is juxtaposed with folkloric, otherworldly images which play within and alongside the everyday, making for a style which is completely her own.

Sergei Lukyanenko, born in Kazakhstan, is one of the foremost Russian science-fiction writers and has received tremendously high acclaim abroad. Originally studying as a psychiatrist, Lukyanenko turned to science-fiction writing with the monthly publication of Where the Mean Enemy Lurks in 1988. However, the works that shot him to the dizzying heights that he now occupies were Knights of the Forty Islands, which won best heroic-romantic fantasy and science-fiction award in 1995, and The Nuclear Dream.

The Debut Prize was instituted in 2000 by State Duma Deputy Andrei Skoch, creator of the humanitarian foundation Pokolenie (Generation). Skoch originally conceived of Pokolenie as a medical charity to help provincial Russian clinics, sick children and pensioners. The Debut, Pokolenie’s only cultural project to date, has become a prize of national renown. The Debut has a strict age limit: entrants may not be over the age of 25. Members of the Russian literary establishment were skeptical at first. They doubted that writers so young would have something to say to readers. Young writers might try their hand at poetry, they argued, but they didn’t have enough life experience to write a story or a novel. However, the Debut has shown that a person’s life experience at any age is complete in and of itself. What a person knows about the world at 20 has been forgotten by the time he is 30. What he could have written at 20 he will no longer write at 30. He will write something else. Strangely enough, most writers live without their first book: it remains in their minds, in drafts. The Debut inspires young Russian writers to complete that first book. The Debut prompts them to commit to literature their unique experience, what might be described as the shock of their first encounter with grown-up life. Not just their new existential status, but daily events. Suddenly a person is faced with bank applications, having to pay rent and buy insurance; no one will fill out the forms for him, no one will answer for him. And he suddenly feels horribly alone in the world. This sort of loneliness, like any other, has a huge creative potential. The Debut brings in the first literary harvest of the writing generation — and it does so every year. 2010 marks the first year of Debut’s international program. Funded by Pokolenie, the program aims to present the works of Debut finalists and winners to the foreign reader. Collections of these works will be translated and their authors will be sent to international book fairs and festivals. This year’s collection appears in English and Chinese. Future collections will be brought out in French, German, Italian, Spanish, Japanese, and so on. Since the number of Debut finalists and winners is only increasing, as is their level and mastery, publication of their works in English will continue.

A historian of medieval Russia by training, Vladimir Sharov (b. 1952) is the son of a geneticist who turned to writing prose, for children and adults, in the 1960s. Sharov himself began writing fiction in the late 1970s, but it was not until the 1990s that his highly unusual historiosophical novels came before the public gaze. In so doing, they caused genuine acrimony and controversy among influential editors of the literary journals (especially Novyi mir).

Olga Slavnikova was born to a family of aerospace engineers near Sverdlosk in the Urals, modern day Ekaterinburg. After finishing school she studied journalism and graduated from Ekaterinburg State University. Slavnikova began publishing fiction in the late 1980s (her first novel appeared in 1988), during which time she was also fiction editor, then managing editor, of the important literary magazine ‘Urals'. She has lived and worked in Moscow since 2001.

Maria Galina is one of the most interesting authors among those who made their names in the turbulent 1990s. She writes both literary and science fiction (with ten SF books to her credit). She is also a noted poet, a thoughtful critic, and translator of English and American science fiction, in all of which she excels. She is a winner of many important prizes for her prose and poetry and her critical essays.

Sergei Lukyanenko, born in Kazakhstan, is one of the foremost Russian science-fiction writers and has received tremendously high acclaim abroad. Originally studying as a psychiatrist, Lukyanenko turned to science-fiction writing with the monthly publication of Where the Mean Enemy Lurks in 1988. However, the works that shot him to the dizzying heights that he now occupies were Knights of the Forty Islands

A historian of medieval Russia by training, Vladimir Sharov (b. 1952) is the son of a geneticist who turned to writing prose, for children and adults, in the 1960s. Sharov himself began writing fiction in the late 1970s, but it was not until the 1990s that his highly unusual historiosophical novels came before the public gaze.

Maria Galina is one of the most interesting authors among those who made their names in the turbulent 1990s. She writes both literary and science fiction (with ten SF books to her credit). She is also a noted poet, a thoughtful critic, and translator of English and American science fiction, in all of which she excels. She is a winner of many important prizes for her prose and poetry and her critical essays.

Slavnikova began publishing fiction in the late 1980s (her first novel appeared in 1988), during which time she was also fiction editor, then managing editor, of the important literary magazine ‘Urals'. She has lived and worked in Moscow since 2001.

NON/FICTION 11, Stand G-2 December, 2-7. Central House of Artists Dear friends and colleagues, Academia Rossica in partnership with The London Book Fair, Federal Agency for Press and Mass Communications and British Council invite you to Russia Market Focus 2011 Stand and would be very glad to see you at various events we are running during this fair.

Я был поражен и страшно обрадован, когда мне предложили стать одним из членов жюри Премии Rossica этого года. Обрадован, так как согласившись, я мог бы с легким сердцем и чистой совестью отдаться чтению или, как оказалось во многих случаях, перечитыванию самой русской литературы, перестав на время заниматься тем, чем я обычно занимаюсь: чтением работ о русской литературе (и о многом другом). Поражен же я бы потому, что я не являюсь известным переводчиком русской литературы и я не был уверен в правильности выбора организаторов премии. Тем не менее, я чувствовал себя достаточно компетентным для того, чтобы стать одним из членов жюри.

I was delighted and astonished when I received the invitation to be one of the judges of this year’s ‘Rossica’ Translation Prize. Delighted – because, by accepting, I would be able to indulge myself with a clear conscience in reading (or, as it often turned out, rereading) many works of Russian literature rather than doing what I all too often do – reading works about Russian literature (and various other things). Astonished – because I am not a prolific or high-profile translator of Russian literature, so I was unsure about why I had been chosen. However, not being known for false modesty, I did feel that I was reasonably well qualified for the work ahead.

Саша Дагдейл родилась в Сассексе. С 1995 по 2005 жила и работала в России. В 1999 году Саша совместно с лондонским Royal Court учредила New Writing project и сейчас работает переводчиком и консультантом для Royal Court. Четыре переведенных Сашей произведения были поставлены на сцене. Пьеса «Пластилин» Василия Сигарева получила награду Evening Standard Award как произведение подающее большое надежды.

Maria Galina is one of the most interesting authors among those who made their names in the turbulent 1990s. She writes both literary and science fiction (with ten SF books to her credit). She is also a noted poet, a thoughtful critic, and translator of English and American science fiction, in all of which she excels. She is a winner of many important prizes for her prose and poetry and her critical essays.

Sasha Dugdale was born in Sussex. Between 1995 and 2000 she lived and worked in Russia. In 1999 she initiated the Russian theatre New Writing project with the Royal Court, London, and currently works as a translator and consultant at the Royal Court. Four of her translations have been staged. Plasticine by Vassily Sigarev won the Evening Standard Award for Most Promising Playwright. She has had poems published in Oxford Poets 2002 and New Writing 12 (Picador 2003). In 2003 she received an Eric Gregory Award.

Maria Galina is one of the most interesting authors among those who made their names in the turbulent 1990s. She writes both literary and science fiction (with ten SF books to her credit). She is also a noted poet, a thoughtful critic, and translator of English and American science fiction, in all of which she excels. She is a winner of many important prizes for her prose and poetry and her critical essays.

Mario has published numerous poetry books and pamphlets, including: Shrapnel and Sheets, Bosco, Heavy Water, Half Life, Fearnought (poems for Southwell Workhouse), along with translations of Catullus, Sappho and Montale. Lepidoptera is a hybrid book of long poetry and short prose, while his illustrated collection The Stamina of Sheep (the unique result of an innovative public and educational arts project for Havering, the Thames and Essex) captured the Essex Book Award for Best Fiction Publication (2000-2002). Flowers of Sulphur was published in 2007. Mario is currently working on two further collections, Monte Cassino and i tulips.

One of the most fascinating authors to emerge in the turbulence of the 1990s, Maria Galina was born in Kalinin (now Tver) in 1958. She was brought up in Ukraine, studied marine biology at Odessa University. In the course of her studies, Galina became an expert in hydrobiology and worked on several expeditions examining environmental issues. Galina has lived in Moscow since 1987.

Dina Rubina was born in Tashkent, Uzbekistan in 1953, studied music in the Tashkent Conservatory, moved to Moscow in the mid-1980s, and then to Israel in 1990. She returned to Russia for three years at the turn of the 21st century as Israel's cultural liaison, and now resides in a suburb of Jerusalem. Rubina is one of the most widely read Russian writers of today. Her recent novel, On the Sunny Side of the Street (Na solnechnoi storone ulitsy), won first place in Russia's Radio Booker Literary Award (2007), third place in the Big Book Literary Prize (2007), and was short-listed for the Russian Booker (2006). Her dozens of other books include the novels The Syndicate (Syndikat, 2004) and Here Comes the Messiah! (Vot idet Messiya!, 1996), and the collection On Upper Maslovka (Na Verkhnei Maslovke, 2001). Her newest novel is Leonardo's Handwriting (Pocherk Leonardo, 2008). Her work has won awards in Uzbekistan, Israel, and France, and has been translated into 12 languages. Her novel, Here Comes the Messiah!, is available in English translation by Daniel M. Jaffe, as are several of her shorter pieces.

Mikhail Shishkin was born in 1961 and grew up in Moscow. He studied at the Moscow State Pedagogical Institute where he trained as a teacher. Following his graduation in 1982, Shishkin worked as a journalist at ‘Rovesnik’ and then, between 1985 and 1995, as a teacher of English and German. In 1995 he moved to Switzerland and he lives in Zurich to this day. Buoyed by Shishkin’s sophisticated language and phrases of unique melody, predictable comparisons have been made to that other writer of extraordinary linguistic versatility, Vladimir Nabokov. Though he understands himself as within a tradition of Russian writers in exile, for Shishkin, the question ‘to return or not to return to Russia’ simply does not exist. He asserts that ‘for a better understanding of the self one should live everywhere’.