Andrey Rodionov is one of Moscow’s most conspicuous poets. He was born in the town of Mytischi outside Moscow, and his sometimes harsh, gritty poetry describes the reality of this small-town upbringing. He was lead singer of a punk band for some years and, although he is no longer a musician, performance has remained important as and element of his poetry: he regularly performs his poetry live and is conscious of his need for and audience’s response to his reading.

Maria Galina is one of the most interesting authors among those who made their names in the turbulent 1990s. She writes both literary and science fiction (with ten SF books to her credit). She is also a noted poet, a thoughtful critic, and translator of English and American science fiction, in all of which she excels. She is a winner of many important prizes for her prose and poetry and her critical essays.

Maria Galina is one of the most interesting authors among those who made their names in the turbulent 1990s. She writes both literary and science fiction (with ten SF books to her credit). She is also a noted poet, a thoughtful critic, and translator of English and American science fiction, in all of which she excels. She is a winner of many important prizes for her prose and poetry and her critical essays.

Izbavi Bog i nas ot etakikh sudei

A few weeks ago something strange happened. Someone sent me, through the post, ten million printed words – I’ll repeat that, in case you weren’t concentrating: ten million words – nearly half of them in a difficult foreign language. I was told to get reading them.

I see Russia’s future in the brightest of hues. Admittedly, this sort of statement does not befit a dystopian writer like me, who is supposed to make dire predictions, though for some what I am going to tell you will sound as bad as an anti-utopia (while I see it as an almost ideal outcome).

I see Russia’s future in the brightest of hues. Admittedly, this sort of statement does not befit a dystopian writer like me, who is supposed to make dire predictions, though for some what I am going to tell you will sound as bad as an anti-utopia (while I see it as an almost ideal outcome).

Maria Galina is one of the most interesting authors among those who made their names in the turbulent 1990s. She writes both literary and science fiction (with ten SF books to her credit). She is also a noted poet, a thoughtful critic, and translator of English and American science fiction, in all of which she excels. She is a winner of many important prizes for her prose and poetry and her critical essays.

Maria Galina is one of the most interesting authors among those who made their names in the turbulent 1990s. She writes both literary and science fiction (with ten SF books to her credit). She is also a noted poet, a thoughtful critic, and translator of English and American science fiction, in all of which she excels. She is a winner of many important prizes for her prose and poetry and her critical essays.

Aleksandr Mikhailovich Terekhov was born in June 1966 in the provincial town of Tula in Central Russia. After serving in the army he graduated in journalism from the Moscow State University. He soon won acclaim as a writer with his stories about his army experiences and about the early perestroika chaos he was witnessing.

Maria Galina is one of the most interesting authors among those who made their names in the turbulent 1990s. She writes both literary and science fiction (with ten SF books to her credit). She is also a noted poet, a thoughtful critic, and translator of English and American science fiction, in all of which she excels. She is a winner of many important prizes for her prose and poetry and her critical essays.

In the three years since his first book was published, Oleg Zaionchkovsky (b. 1959) has gained the widespread admiration of critics and readers alike, a fact which appears to have taken the author himself by surprise. Until his recent move to Moscow, Zaionchkovsky had spent his entire adult life in the small town of Khotkovo, outside the capital, where he met his future wife at school at the age of thirteen, and where he worked as a metal worker and electrical engineer before trying his hand at prose at his wife's insistence. The result was Sergeev and the Little Town (Sergeev i gorodok, 2005), a book of short stories describing small-town byt (daily life). Marketed by its publishers, OGI, as a novel, it was immediately short-listed for the Russian Booker Prize. Petrovich came out that same year. Taking the reader through Petrovich's childhood and adolescence, it prompts comparison with other treatments of early life in the Russian literary tradition (by Lev Tolstoy, Sergei Aksakov and others).

Aleksandr Mikhailovich Terekhov was born in June 1966 in the provincial town of Tula in Central Russia. After serving in the army he graduated in journalism from the Moscow State University. He soon won acclaim as a writer with his stories about his army experiences and about the early perestroika chaos he was witnessing.

Maria Galina is one of the most interesting authors among those who made their names in the turbulent 1990s. She writes both literary and science fiction (with ten SF books to her credit). She is also a noted poet, a thoughtful critic, and translator of English and American science fiction, in all of which she excels. She is a winner of many important prizes for her prose and poetry and her critical essays.

by Vadim Zeland
Translated by Gregory Blake and Natasha Micharina
O Books, 2008, pp.181
This is the first English translation of the first volume that describes a new way of looking at reality, indeed of creating it. It provides a scientific explanation of the laws that help you do this, building up a scientific model, speaking in detail about particular rules to follow and giving important how-to tips, illustrated with examples.

by Andrei Rubanov
Translated by Andrew Bromfield
Old Street Publishing; August 2008; pp.521
Twenty-seven-year-old Andrei always knew his shady business dealings could get him into trouble. But aside from the odd scam or tax fiddle, he'd never done anything seriously wrong; nothing that thousands of other Russian businessmen weren't doing every day. And so he agreed to be the fall guy for his boss when things went wrong.

by Various
Translated by Oleg Burkov, Larissa Fomenko, Andrei Konstantinov, Nika Skandiaka, Lika Sokolovskaya and Vitaliy Eyber
Smokestack Books; 2007; pp.83
This anthology brings together, for the first time in English, a selection of contemporary poetry from Novosibirsk, Siberia's largest city and the exact geographical centre of Russia. Writing about their extraordinary country, they have adapted Russian literary traditions to its exceptional conditions.

by Alexandr Terekhov
Translated by Natalie Roy and B.T. Gall
Alma Books; 2008; pp. 347
Rats and human beings aren't that far apart from each other in "The Rat-Killer". As the political intrigue of phantasmagorical post-communist reality develops into nightmare, the greed, cunning and malice of the humans more and more resemble the behaviour of the large communities of destructive rodents, while the rats acquire more and more human features.

Norman Stone has been described as ‘a legendary teacher’ when he was professor of modern history at Oxford University. Always controversial and never dull, his outspoken views on many aspects of European and Russian history are always thought-provoking and guaranteed to stimulate fierce debate. He is the prize-winning author of books on the First World War and Hitler. He was professor of modern history at Oxford from 1984 to 1995, from where he moved to take up the post of director of the Russian-Turkish Centre at Bilkent University, Ankara. For the last ten years he has divided his time between Oxford and Turkey, and he believes that living abroad there has given him a new perspective on Europe, and particularly on Russia, about which he has said, ‘When you realise that Tatar-Turkey dimension, you understand the thing an awful lot better.’ It is a privilege to have Professor Norman Stone as a guest at our Russian Language and Literature Week and audiences will not fail to be stimulated by his erudition and originality of thought.

Born in 1960. Poet, critic, translator, and science fiction writer with ten SF books to her credit. A graduate from Odessa University majoring in marine biology she took part in several sea expeditions. She has been a professional writer since 1995. She has won many prizes for both her prose and poetry. Her fiction contains a strong element of magic realism while gender issues have always been the focus of her attention.
She has been nominated for the Russian Booker and short-listed for the Russian Critics Academy Award. Iramifications was awarded the International Portal Prize.

Russian Summer in London
In this issue we trace the life and career of Russian-Polish émigré artist and Art Deco icon Tamara de Lempica, and we explore the mystery of “Russianness” in 19th century Russian painting.

Rumiantsev’s Arc – Library of a Nation
If the book lies at the heart of Russian culture, then the most vital, life-preserving institution in Russian culture is the library. This issue of ROSSICA focuses on the remarkable history and collections of Russia’s largest library: originally called the Rumiantsev Museum, later the Lenin Library (Leninka) it is now the Russian State Library.

Russian Nights
‘Russian Nights’ Festival is the largest, most ambitious and most varied festival of Russian culture ever to be staged in London. It brings a remarkable range of music and theatre, painting and poetry, photography and architecture to the capital.

Moscow – The Third Rome,
Stalin’s Capital, Global City
This issue focuses on Russia’s capital city as myth, as physical history, and as the future.

Moscow – The Third Rome,
Stalin’s Capital, Global City
This issue focuses on Russia’s capital city as myth, as physical history, and as the future.

Russian Nights
‘Russian Nights’ Festival is the largest, most ambitious and most varied festival of Russian culture ever to be staged in London. It brings a remarkable range of music and theatre, painting and poetry, photography and architecture to the capital.

Rumiantsev’s Arc – Library of a Nation
If the book lies at the heart of Russian culture, then the most vital, life-preserving institution in Russian culture is the library. This issue of ROSSICA focuses on the remarkable history and collections of Russia’s largest library: originally called the Rumiantsev Museum, later the Lenin Library (Leninka) it is now the Russian State Library.

Russian Summer in London
In this issue we trace the life and career of Russian-Polish émigré artist and Art Deco icon Tamara de Lempica, and we explore the mystery of “Russianness” in 19th century Russian painting.

Professor of International Politics, Norman Stone has been described as ‘a legendary teacher’ when he was professor of modern history at Oxford University. Always controversial and never dull, his outspoken views on many aspects of European and Russian history are always thought-provoking and guaranteed to stimulate fierce debate. He is the prize-winning author of books on the First World War and Hitler. He was professor of modern history at Oxford from 1984 to 1995, from where he moved to take up the post of director of the Russian-Turkish Centre at Bilkent University, Ankara.