Diaghilev fever is taking London by storm. The V&A's major exhibition 'Diaghilev and the Golden Age of the Ballets Russes, 1909-1929' reveals Diaghilev's enduring influence on 20th-century art, design and fashion. The V&A is also holding a number of other Diaghilev themed events, including 'The Music of Diaghilev with the Philharmonia Orchestra' and 'Rephrasing the Ballets Russes', in collaboration with the English National Ballet. And the perfect accompaniment to this year's season of Diaghilev events is Sjeng Scheijen's new biography of the arguably the greatest (and most controversial) impresario of all time.

24 September - 3 October
Over 40 events covering dance, film, music, poetry, theatre and visual art will take place across Hampstead and Highgate. The programme includes Matthew Hurt’s 'Lightening Conductor' a dramatic profile of Diaghilev (played by Simon Callow) as well as classical music concerts focusing on the composers who worked with Diaghilev and an exhibition of photographs of Ballets Russes dancer Tamara Karsavina.
There will also a series of events entitled ‘Russian Voices’ which focus on Anton Chekhov (Jonathan Miller), Leo Tolstoy (Zinovy Zinik), the Diaries of Sofia Tolstoy and Anna Akhmatova’s cycle of poems, ‘Requiem’, read by Glenda Jackson.

The International Lounge at the Moscow International Book Fair is a space where the Russian publishing world can form links with the international book industry. Alongside the extensive programme of seminars and roundtables, it is a place for networking and deals, as well as being an information centre on international collaboration. The International Lounge is organised by Academia Rossica with the support from the Federal Agency for Press and Mass Communication and the Moscow International Book Fair. The programme of seminars and presentations is focused on the preparation for Russia Market Focus at the London Book Fair 2011.

We are as disappointed as you are that the ash cloud stopped our Russian authors from making it to the UK for our SLOVO festival. However, the festival has not been cancelled, merely postponed. We are working hard to bring the events to London at a later date, so keep a close eye on our website! In the meantime, Academia Rossica is delighted to support The East End Film Festival (22 April – Friday 30) in their focus on new Russian cinema.

SLOVO events have been postponed until later notice due to flights cancellation. Please follow further announcements and join us at our events.

On 19 – 25 April ACADEMIA ROSSICA will bring you SLOVO, the Russian Literature Festival that knows no boundaries. Packed with a kaleidoscope of genre-defying events, SLOVO will offer a unique insight into Russian literary culture, presenting not only the foremost contemporary Russian writers and highly opinionated public figures, such as Dmitry Bykov, Sergei Lukyanenko, Olga Slavnikova, Maria Galina and Vladimir Sharov, but also cutting edge young writers and poets from right across Russia’s eleven time zones. This year’s festival sees a particular focus on fantasy and magical realism. Lukyanenko’s 'Night Watch' series clearly comes under this genre, but ‘Living Souls’ by Dmitry Bykov,‘2017’ by Olga Slavnikova and ‘Iramifications’ by Maria Galina, all newly published in English, have also been influenced by this notable undercurrent of Russian writing. Our authors will present their new books in light of this genre, which has its roots in the 19th and 20th century literary greats, Gogol, Bulgakov, Zamyatin and Platonov, while Lev Danilkin, literary critic and ‘Afisha’ columnist will explore why Russian literature has a tendency to look at reality through a prism of the unreal. In addition to events with established authors, SLOVO will introduce Russia’s newest literary voices. Olga Slavnikova, herself an award-winning writer, is the coordinator of Russia’s prestigious Debut prize for young writers and will present six Debut prize winners at this year’s festival, including three of Russian literature’s rising stars, Polina Klyukina from Perm, Alisa Ganieva from Dagestan and Alexander Gritsenko from Astrakhan. Key to this festival is the belief that literature can act as an instrument of social and political change and can help to bring two cultures together. For this reason SLOVO will coincide with the London Book Fair, where ties between the Russian and British publishing industry have already been strengthened by naming Russia Guest of Honour and Market Focus of the London Book Fair 2011. SLOVO will continue in this spirit with unique collaborative events between Russian and British poets, as well as providing numerous opportunities for cross-cultural discussions. Indeed, as the slogan ‘WORDS IN ACTION’ may suggest, SLOVO is not just about the written word. Film also plays an important part in this year’s festival. SLOVO will hold the first ever screening of Russian underground video poetry in the UK and the London premiere of Aliona Van der Horst’s hauntingly beautiful film on poet Boris Ryzhy. SLOVO’s broad spectrum of events will be held across several venues, Waterstones Piccadilly, Waterstones Hampstead, The Calvert 22 Gallery and the Apollo cinema. Come and join us for this un-missable chance to witness literature in transition!

Interpreting for the Russian guests at the LBF and SLOVO festival For those interested in offering their professional translation skills during the London Book Fair and the SLOVO festival, ACADEMIA ROSSICA will have a series of events and seminars where interpreters will be needed in order for Russian and UK guests to communicate with each other. This is an excellent opportunity for professional translators to play an involved and encouraging role in the development of future publishing projects that will lead to the further promotion and distribution of Russian literature in the English speaking world. To register as an interpreter, please contact Rodrigo@academia-rossica.org by 15th April.

ACADEMIA ROSSICA's aim is to bring writers, publishers and translators together and to help create structures to support the publication and distribution of Russian literature in the English speaking world. The Translators Day will be a key element of this project, which will set the ground for a stronger recognition and promotion of literary translation from Russian into English. 10.30 – 11.30 PEN Café, EC2 Rossica Translation Prize, Young Translators Prize award. A special Rossica Translation award to Stanley Mitchell 11.30 –12.00 BFR, Y455 Russkiy Mir Translation Grants Presentation 12.00 – 13.00 BFR, Y455 Roundtable: Translating Russia 13.30 –14.30 BFR, Y455 Presentation: Famous Englishmen, Known Only in Russia Presentation: Misreading English Literature – A few true stories from Soviet translations 15.00 – 15.30 BFR, Y455 New Millennium Prize Award. Winner - Mary Hobson, poet and translator. 16.00 – 16.30 PEN Café, EC2 Market Focus Handover Ceremony, Champagne Reception Interpreting for the Russian guests at the LBF and SLOVO festival For those interested in offering their professional translation skills during the London Book Fair, ACADEMIA ROSSICA will have a series of events and seminars where interpreters will be needed in order for Russian and UK guests to communicate with each other. This an excellent opportunity for professional translators to play an involved and encouraging role in the development of future publishing projects that will lead to the further promotion and distribution of Russian literature in the English speaking world. To register as an interpreter, please contact Rodrigo@academia-rossica.org by 15th April.

Video poetry is a new phenomena in the contemporary Russian arts scene. In today’s world, media has no limits - information is mixed together with a myriad of fast, dynamic images, and punchy sounds. Video poetry has incorporated these elements that are all around us and used them to create a new art form which has become extremely popular in Russia during the last couple of years. Leading experimental poets and film directors, including Kirill Serebrennikov and Valeria Gai Germanika, amongst others, have come together to create films based on poems read by the poets themselves. The performances are also strongly influenced by European artists of the 70s and 80s, such as Gianni Toti, Richard Kostelanetz, Arnaldo Antunes and Caterina Davinio, whose experimental work was considered arthouse and cutting edge thirty years ago, but seems to strike a chord with the world we live in today. In our culture of multi-media, the merging of poetry, music and film feels only natural. ACADEMIA ROSSICA will be premiering three programmes of video poetry at SLOVO literature festival. The three programmes will offer a unique opportunity to see the works of fifteen of the most important names in Russian video poetry, including Andrei Rodionov, Inna Kabysh and Alina Butokhnovskaya. Programme 1 & 3 will be screened at the Apollo Cinema, Piccadilly at 18.30 on 20 & 22 April. To book tickets, call 0871 220 6000 or go to www.apollocinemas.com Programme 2 includes readings from cutting edge contemporary Russian and British poets and takes place at Calvert 22 art gallery at 18.30. Attendance is by invitation only. These events are part of the SLOVO festival and organised in collaboration with Tom Chivers and Penned in the Margins. These programmes are curated by Andrei Rodionov, one of the leading contemporary Russian poets and Ekaterina Troepolskaya, who also curates the Piataya Noga video poetry festival.

A historian of medieval Russia by training, Vladimir Sharov (b. 1952) is the son of a geneticist who turned to writing prose, for children and adults, in the 1960s. Sharov himself began writing fiction in the late 1970s, but it was not until the 1990s that his highly unusual historiosophical novels came before the public gaze. In so doing, they caused genuine acrimony and controversy among influential editors of the literary journals (especially Novyi mir).

Dmitry Bykov was born in Moscow in 1967. He studied at Moscow State University's Faculty of Journalism, and journalism is something he remains engaged with: he regularly produces articles, essays and reviews for the leading Russian newspapers and magazines. He has senior editorial positions in various publications, hosts a weekly radio show and appears regularly on Russian TV.

Dmitry Bykov was born in Moscow in 1967. He studied at Moscow State University's Faculty of Journalism, and journalism is something he remains engaged with: he regularly produces articles, essays and reviews for the leading Russian newspapers and magazines. He has senior editorial positions in various publications, hosts a weekly radio show and appears regularly on Russian TV.

A historian of medieval Russia by training, Vladimir Sharov (b. 1952) is the son of a geneticist who turned to writing prose, for children and adults, in the 1960s. Sharov himself began writing fiction in the late 1970s, but it was not until the 1990s that his highly unusual historiosophical novels came before the public gaze.

We are proud to announce the programme of Russian events at the London Book Fair 2010. Read here for details of seminars, meetings and special events at Publishers' Day, Authors' Day and Translators' Day and profiles of our celebrated guest speakers. These include include the authors Dmitry Bykov, Sergey Lukyanenko, Vladimir Sharov, Marina Galina and Olga Slavnikova, as well the deputy head of the Russian Federal Agency of Press and Mass Communication, Vladimir Grigoriev, and the brilliant literary critic, Lev Danilkin.

Now in its second year, the Rossica Young Translators Prize is hard on the heels of the success of the main Rossica Prize. Through this prize we would like to encourage young people under 25 who are passionate about Russia, literature and translation to enter into the world of professional literary translation. We hope that this award will help to nurture a new generation of Russian to English literary translators, as well as further cultural dialogue between Russia and the English-speaking world. The Winner will be announced on 21 April at the London Book Fair. The winning translator will receive £500 and the opportunity to travel to Moscow to take part in a Translators' Congress in September 2010. All shortlisted translators will be invited to a special programme of events at the London Book Fair and introduced to writers and publishers. If you would like to take part in this competition, please translate one of the three extracts in this brochure. They are taken from new novels written by Russia’s foremost contemporary novelists: Leonid Yuzefovich’s “Журавли и карлики”, Mikhail Shishkin’s “Письмовник”, and Viktor Pelevin's "t". The deadline for submission is 1 April. The translations will be judged by prominent translators and winners of the Rossica Prize – Robert Chandler, Amanda Love Darragh and Oliver Ready. It is an exciting opportunity for young translators to enter into the professional world of literary translation.

In order to prepare Russia’s participation as Market Focus Country two steering committees have been set up - in London and in Moscow. The first London steering committee was held at the Russian Embassy in London on 9 November 2009. It was chaired by Mr Alistair Burtenshaw, Director of The London Book Fair.

SLOVO Russian Literature Festival 19 - 25 April 2010 London and other UK cities Russian Literature Week is back for the third time, held in the same week as the London Book Fair. The aim is to highlight Russian writers and publishers, both in London and on an international scale. This year's SLOVO will also showcase the new generation of writers, exciting new poets and the fascinating culture scene of today's Russia.

NON/FICTION 11, Stand G-2 December, 2-7. Central House of Artists Dear friends and colleagues, Academia Rossica in partnership with The London Book Fair, Federal Agency for Press and Mass Communications and British Council invite you to Russia Market Focus 2011 Stand and would be very glad to see you at various events we are running during this fair.

Along with the 45 Indian authors arriving in London next week to take part in the book fair's India programme will be a smaller touring party of Russian writers. Like the Indian promotion, Russian Literature Week is based at the fair but also takes in central London - there are nightly discussions with authors at Waterstone's, Piccadilly, starting on Monday - and events around the country.

Along with the 45 Indian authors arriving in London next week to take part in the book fair's India programme will be a smaller touring party of Russian writers. Like the Indian promotion, Russian Literature Week is based at the fair but also takes in central London - there are nightly discussions with authors at Waterstone's, Piccadilly, starting on Monday - and events around the country.

Bykov's literary output is voluminous. He has published eight novels, biographies of Pasternak and Bulat Okudjava, several collections of short stories, three volumes of essays and eight collections of poetry. His biography of Pasternak won the National Bestseller Prize and the 2007 Big Book Prize and was a critical and commercial hit, enjoying three print runs.

Alexander Arkhangelsky was born in Moscow in 1962. He graduated in pedagogy and wrote a dissertation about Pushkin. At different times he has been a radio-journalist, written for literary journals and political newspapers, and has taught.

by Olia Hercules
Generally, everyone agreed that festival participation was the way forward. They also felt that events like Rossica's Russian Film Festival were the perfect platforms for Russia to exhibit its best products, be it arthouse or commercial cinema.

A historian of medieval Russia by training, Vladimir Sharov (b. 1952) is the son of a geneticist who turned to writing prose, for children and adults, in the 1960s. Sharov himself began writing fiction in the late 1970s, but it was not until the 1990s that his highly unusual historiosophical novels came before the public gaze. In so doing, they caused genuine acrimony and controversy among influential editors of the literary journals (especially Novyi mir). Many were appalled both by Sharov's literary method and by his exploration through fiction of the mythological and religious substrata of Russian (and especially Revolutionary) history and thought - in particular, of its Utopian, eschatological, and messianic tendencies. Undeterred, Sharov has continued in his distinctive groove, writing, in the opinion of many critics (some of whom now consider him a ‘living classic') one and the same book: an ongoing commentary on philosophy, history, and the sacred texts. In these complex meditations, the views of the author himself remain elusive.

Dmitry Bykov was born in Moscow in 1967. He studied at Moscow State University's Faculty of Journalism, and journalism is something he remains engaged with: he regularly produces articles, essays and reviews for the leading Russian newspapers and magazines. He has senior editorial positions in various publications, hosts a weekly radio show and appears regularly on Russian TV. Bykov's literary output is voluminous. He has published eight novels, biographies of Pasternak and Bulat Okudjava, several collections of short stories, three volumes of essays and eight collections of poetry. His biography of Pasternak won the National Bestseller Prize and the 2007 Big Book Prize and was a critical and commercial hit, enjoying three print runs.

Dmitry Bykov was born in Moscow in 1967. He studied at Moscow State University's Faculty of Journalism, and journalism is something he remains engaged with: he regularly produces articles, essays and reviews for the leading Russian newspapers and magazines. He has senior editorial positions in various publications, hosts a weekly radio show and appears regularly on Russian TV. Bykov's literary output is voluminous. He has published eight novels, biographies of Pasternak and Bulat Okudjava, several collections of short stories, three volumes of essays and eight collections of poetry. His biography of Pasternak won the National Bestseller Prize and the 2007 Big Book Prize and was a critical and commercial hit, enjoying three print runs.

by Mikhail Ageyev
Translated by Hugh Aplin
Hesperus, 2008, pp.180
A bizarre and deeply disturbing account of a young man's descent into addiction, this story brilliantly mirrors the tumultuous events of early 20th-century Russian history. Struggling with the confusion and insecurities that adolescence brings, Vadim seeks an outlet for his frustration.

by Nikolai Erdman
Translated by Moira Buffini
Faber and Faber, 2007, pp.116
Hallway-dwelling Semyon is unemployed and disheartened with life. When his last hope for self-respect disappears, Semyon decides to take his own life. But word gets out and he finds himself inundated with sympathetic visitors - begging him to die on their behalf.

by Olia Hercules
Generally, everyone agreed that festival participation was the way forward. They also felt that events like Rossica's Russian Film Festival were the perfect platforms for Russia to exhibit its best products, be it arthouse or commercial cinema.

by Olia Hercules
Generally, everyone agreed that festival participation was the way forward. They also felt that events like Rossica's Russian Film Festival were the perfect platforms for Russia to exhibit its best products, be it arthouse or commercial cinema.

Russia, 2007, 90 min
Dir. Alexander Gornovsky
This dynamic and ironic work comes from the award winning scriptwriter of Pavel Lungin’s ‘The Island’. The film follows a day in the life of Moscow businessman Andrei, as events take ever more dramatic turns with each cigarette that he smokes.

Now - 31 August 2008
Modern Art Oxford Gallery
Entry Free

Orlando Figes is Professor of History at Birkbeck College, University of London. He is a reputable writer of works on Russian history, most notably A People's Tragedy: The Russian Revolution, 1891-1924 (1996), for which he was awarded the Wolfson Prize; Natasha's Dance (2002) and The Whisperers: Private Life in Stalin’s Russia (2007), all of which have been reviewed to international acclaim and translated into many foreign languages. He has appeared on many television and radio broadcasts, commenting on events in Russia and on Russian cultural and historical issues, and he is a regular book reviewer for the New York Review of Books. He is also a fellow of the Royal Society of Literature. It is a great privilege to have Orlando as a speaker at Russian Literature Week.

Tretyakov Gallery
This issue is dedicated to the 150th anniversary of the Tretyakov Gallery, Russia’s most famous art museum which contains the national collection of Russian art.