5 –23 October
Celebrating Anton Chekhov's 150th Birthday, Caroline Blakiston performs her play at the Jermyn Street Theatre. Black Bread and Cucumber is Caroline Blakiston's acclaimed one-woman show about how she made history as the first British actress to play Chekhov in Russia, in Russian! Black Bread and Cucumber was written during 1992-3, following Caroline Blakiston’s unique experience playing Charlotta in The Cherry Orchard in Russia. She was the first English actress to play Chekhov in Russia in Russian.

A firm believer that architects should be gardeners not morticians enshrouding a city in cement, David Sarkisyan, Director of the Shchusev Museum of Architecture in Moscow, has been featured in the new issue of the Russia Now supplement to the Daily Telegraph, published today. Under David Sarkisyan's administration, the Shchusev museum became the centre of Moscow’s architectural and artistic life and now his old office is a memorial of his life's work.

Monday 7 June, 7pm
Kenneth Clark Lecture Theatre Courtauld Institute, Somerset House
Chaired by Elaine Feinstein
The Bolshevik Revolution produced a mass exodus of Russia’s aristocracy and educated bourgeoisie. In the years following 1917 many of Russia’s most talented writers, artists, composers, scientists, professionals,

In order to prepare Russia’s participation as Market Focus Country two steering committees have been set up - in London and in Moscow. The first London steering committee was held at the Russian Embassy in London on 9 November 2009. It was chaired by Mr Alistair Burtenshaw, Director of The London Book Fair.

When Academia Rossica approached me to serve on the jury for their translation prize, I was excited and intrigued. What would the field be like, how many entries would there be, were there still publishers around in the West willing to produce translations of serious Russian works? The classics apart, was there more to Russian literature for English-speaking people than penguins and historical detectives? My caricature of the average Western reader's view of Russian literature today can perhaps be excused in part by my own education.

Izbavi Bog i nas ot etakikh sudei

A few weeks ago something strange happened. Someone sent me, through the post, ten million printed words – I’ll repeat that, in case you weren’t concentrating: ten million words – nearly half of them in a difficult foreign language. I was told to get reading them.

I see Russia’s future in the brightest of hues. Admittedly, this sort of statement does not befit a dystopian writer like me, who is supposed to make dire predictions, though for some what I am going to tell you will sound as bad as an anti-utopia (while I see it as an almost ideal outcome).

I see Russia’s future in the brightest of hues. Admittedly, this sort of statement does not befit a dystopian writer like me, who is supposed to make dire predictions, though for some what I am going to tell you will sound as bad as an anti-utopia (while I see it as an almost ideal outcome).

Alexander Arkhangelsky was born in Moscow in 1962. He graduated in pedagogy and wrote a dissertation about Pushkin. At different times he has been a radio-journalist, written for literary journals and political newspapers, and has taught.

Vladimir Makanin was born in 1937 in Orsk, a city which straddles the Ural River. Makanin himself recalls how every morning he would cross from the ‘European' side where he lived, into Asia, to go to school, before returning back to Europe in the evening. Makanin's love of chess led him to enter Moscow State University to study Mathematics - and for six years after that he was a mathematician working in a laboratory of the Dzherzhinsky Military Academy. He has lived in Moscow ever since.

Despite the numerous linguistic obstacles thrown up by his novels, especially in their opening sections, Aleksei Ivanov has enjoyed phenomenal popular and critical success in the past five years. In his two breakthrough ‘historical' novels of adventure and fantasy, Heart of the Taiga (Serdtse Parmy, 2003) and Gold of the Rebellion, or Down the River of Gorges (Zoloto bunta, ili vniz po reke tesnin, 2005), Ivanov gives full expression to his fascination with local lore and its relation to Russian history. By contrast, The Geographer who Drank Away his Globe (Geograf globus propil, 2003) and Cheap Porn (the English title given by Ivanov's agents to the untranslatable Bluda i MUDO, 2007) have belied Ivanov's reputation as the kraeved (local historian) from Perm.

Born in 1975 under his real name of Yevgeniy Nikolayevich Lavlinsky, Zakhar Prilepin grew up in a small village, Ilinka Skaponskovo, in Ryazan Province, not too distant from Nizhni Novgorod. He comes from a family of teachers and nurses. After finishing at the Philology Department of Nizhni Novgorod State University he worked as a security guard and a journalist before joining the Russia’s ‘Special Purpose Police Squad’ (the OMON) and, as a captain, serving on military deployments in Chechnya during 1996 and 1999.

Vladimir Makanin was born in 1937 in Orsk, a city which straddles the Ural River. Makanin himself recalls how every morning he would cross from the ‘European' side where he lived, into Asia, to go to school, before returning back to Europe in the evening. Makanin's love of chess led him to enter Moscow State University to study Mathematics - and for six years after that he was a mathematician working in a laboratory of the Dzherzhinsky Military Academy. He has lived in Moscow ever since.

by Vladimir Megre
Translated by John Woodsworth
The Ringing Cedars, 2008, pp. 243
"Co-creation," the fourth book and centrepiece of the Series, paints a dramatic living image of the creation of the Universe and humanity's place in this creation, making this primordial mystery relevant to our everyday living today.

by Vadim Zeland
Translated by Gregory Blake and Natasha Micharina
O Books, 2008, pp.181
This is the first English translation of the first volume that describes a new way of looking at reality, indeed of creating it. It provides a scientific explanation of the laws that help you do this, building up a scientific model, speaking in detail about particular rules to follow and giving important how-to tips, illustrated with examples.

by Viktor Shklovsky
Translated by Shushan Avagyan
Dalkey Archive Press; 2007; pp. 428
One of the greatest literary minds of the twentieth century, Viktor Shklovsky writes the critical equivalent of what Ross Chambers calls "loiterature"—writing that roams, playfully digresses, moving freely between the literary work and the world.

27 February to 4 April
£10 - £110 Royal Opera House
Swan Lake is one of the most loved of all classical ballets and one of the most popular in the Royal Ballet repertory. It has that magical combination of Tchaikovsky’s music, a compelling story of tragic romance and choreography that allows the very best dancers to show just how impressive they can be.

16 April
National Theatre
£3.50 (concs £2.50)
In Russia, Jonathan Dimbleby looks at how her past has shaped her current identity, and investigates what modern Russia means to her people now. The Platform is followed by a booksigning.

Wednesday, 16 April, 6.30 pm
MacDougall Arts, 30A Charles Street (off Lower Regent Street), London SW1Y
Sergey Mironenko, Director of the State Russian Archives, will be talking about myths and mysteries of Russian and Soviet history and fascinating documents kept in the archives. He will be discussing with Norman Stone, Professor of international politics, and Francine-Dominique Liechtenhan, Professor of Russian history at Sorbonne, how these discoveries change our perception of Russia's history. In English and Russian

Imperial Russian Ballet
Oranienbaum: Chinoiserie a la Russe
A la Russe: the Russian art of performance through the 18th and 19th centuries is celebrated in this issue, dedicated to Russia’s most famous ballets and to Catherine the Great’s personal Dacha – Oranienbaum.

Tretyakov Gallery
This issue is dedicated to the 150th anniversary of the Tretyakov Gallery, Russia’s most famous art museum which contains the national collection of Russian art.

Russian Summer in London
In this issue we trace the life and career of Russian-Polish émigré artist and Art Deco icon Tamara de Lempica, and we explore the mystery of “Russianness” in 19th century Russian painting.

St Petersburg – 300
This special issue, with a foreword by Her Majesty The Queen, celebrates the Tercentenary of Russia’s imperial capital, known as the Venice of the North and one of the world’s most enigmatic cities – St Petersburg.

Revelations in Colour
Dionisy & KandinskyThis issue of ROSSICA is dedicated to two great Russian artists, Dionisy and Vasily Kandinsky who were divided by four centuries.

Moscow – The Third Rome,
Stalin’s Capital, Global City
This issue focuses on Russia’s capital city as myth, as physical history, and as the future.

Imperial Russian Ballet
Oranienbaum: Chinoiserie a la Russe
A la Russe: the Russian art of performance through the 18th and 19th centuries is celebrated in this issue, dedicated to Russia’s most famous ballets and to Catherine the Great’s personal Dacha – Oranienbaum.

Moscow – The Third Rome,
Stalin’s Capital, Global City
This issue focuses on Russia’s capital city as myth, as physical history, and as the future.

Revelations in Colour
Dionisy & KandinskyThis issue of ROSSICA is dedicated to two great Russian artists, Dionisy and Vasily Kandinsky who were divided by four centuries.

St Petersburg – 300
This special issue, with a foreword by Her Majesty The Queen, celebrates the Tercentenary of Russia’s imperial capital, known as the Venice of the North and one of the world’s most enigmatic cities – St Petersburg.

Russian Summer in London
In this issue we trace the life and career of Russian-Polish émigré artist and Art Deco icon Tamara de Lempica, and we explore the mystery of “Russianness” in 19th century Russian painting.

Tretyakov Gallery
This issue is dedicated to the 150th anniversary of the Tretyakov Gallery, Russia’s most famous art museum which contains the national collection of Russian art.