Dmitry Bykov will participate in the Salisbury International Arts Festival and Hay Festival of Arts and Literature:
Friday 28 May, 11:30am
Salisbury International Arts Festival
Saturday 29 May, 1pm
Hay Festival of Arts and Literature

Calvert 22
13 May - 16 June 2009
Calvert 22 presents its inaugural exhibition, curated by David Thorpe. The show will bring together five leading contemporary Russian artists: Alexander Brodsky, Pavel Pepperstein, Haim Sokol, Leonid Tishkov and Stanislav Volyazlovsky. Although the artists vary greatly in terms of the chosen media of their practice, they connect via their common desire to excavate the past, to explore both collective and personal mythologies, and through the realisation of their imaginings of the future. The majority of the works in Past Future Perfect will be on show in the UK for the first time.

by Akhmatova
Translated by Tom Jones
Perdika Press, 2007, pp. 28
Osip Mandel'shtam famously observed that Anna Akhmatova ‘brought to the Russian lyric the wealth of the nineteenth-century Russian novel'. These two late, seminal sequences - haunted by Akhmatova's inspirational meeting with her ‘guest from the future', Isaiah Berlin - amply bear out that assertion, epitomising in deeply personal terms the tragedy that had befallen Russia.

by Mikhail Aizenberg
Translated by J. Kates
Zephyr Press, 2007, pp.108
Mikhail Aizenberg has lived and breathed and had his being at the heart of the last generation of poets that came to maturity under the regime of the Soviet Union. He has been not only one of its most eloquent practitioners, but also its chronicler and interpreter.

by Lev Tolstoy
Translated by Kyril Zinovieff and Jenny Hughes
One World Classics, 2008, pp. 876
Considered to be Leo Tolstoy's most personal novel, Anna Karenina is a resonant story which scrutinizes fundamental moral and theological questions through the impassioned and tragic story of its eponymous heroine. Anna is desperately pursuing a good, "moral" life, standing for honesty and sincerity, passion drives her to adultery and this flies in the face of the morally corrupt Russian bourgeoisie.

by Andrei Babchenko
Translated by Nick Allen
Portobello Books, November 2007, pp.404
Written shortly after his discharge from the army, the book burns with the need to tell of his personal ordeal and that of his fellows as young, innocent and woefully inexperienced grunts condemned to a miserable life ruled by shell-shocked superiors and perpetual threats.

by Various
Translated by Kirsten Lodge (poetry), Margo Shohl Rosen and Grigory Dashevsky (prose)
Dedalus Books, 2007, pp.343
The sensationalism and morbid pessimism that characterized French decadence in the late nineteenth century quickly attracted converts throughout Europe, including Russia. The Dedalus Book of Russian Decadence: Perversity, Despair and Collapse brings together horrifying, dramatic and erotic short stories and poetry, most of which have never before been translated into English, by the most decadent Russian writers.

by Tolstoy
Translated Richard Pevear and Larissa Volokhonsky
Vintage Classics; 2007; pp. 1215
War and Peace is one of the richest novels ever written. Tolstoy’s enthralling epic combines history and fiction in his depiction of Russia’s lengthy war with the French armies of Napoleon and its effects on the domestic lives of those caught up in the conflict.

Robert Porter taught Russian Language and Literature at the University of Bristol for 25 years, eventually being promoted to a Personal Chair there. From 1999 until 2005 he was Professor of Slavonic Studies at the University of Glasgow. His monographs on Russian Literature include Four Contemporary Russian Writers (1989) and Russia's Alternative Prose (1994).

Now - 31 August 2008
Modern Art Oxford Gallery
Entry Free

Imperial Russian Ballet
Oranienbaum: Chinoiserie a la Russe
A la Russe: the Russian art of performance through the 18th and 19th centuries is celebrated in this issue, dedicated to Russia’s most famous ballets and to Catherine the Great’s personal Dacha – Oranienbaum.

Imperial Russian Ballet
Oranienbaum: Chinoiserie a la Russe
A la Russe: the Russian art of performance through the 18th and 19th centuries is celebrated in this issue, dedicated to Russia’s most famous ballets and to Catherine the Great’s personal Dacha – Oranienbaum.