Saturday 19 June, 7.30pm & 10.30pm, PizzaExpress Jazz Club
A long established leading figure in Russian jazz and an internationally acclaimed pianist, Daniel Kramer will visit London to perform two live concerts exclusively for the audience of the PizzaExpress Jazz Club. The innovator of Russia's jazz scene and artistic director of no less than four jazz festivals, he lectures at Moscow State Conservatory and Central Music School while also being the Chairman of the Jazz

We are as disappointed as you are that the ash cloud stopped our Russian authors from making it to the UK for our SLOVO festival. However, the festival has not been cancelled, merely postponed. We are working hard to bring the events to London at a later date, so keep a close eye on our website! In the meantime, Academia Rossica is delighted to support The East End Film Festival (22 April – Friday 30) in their focus on new Russian cinema.

A historian of medieval Russia by training, Vladimir Sharov (b. 1952) is the son of a geneticist who turned to writing prose, for children and adults, in the 1960s. Sharov himself began writing fiction in the late 1970s, but it was not until the 1990s that his highly unusual historiosophical novels came before the public gaze. In so doing, they caused genuine acrimony and controversy among influential editors of the literary journals (especially Novyi mir).

Olga Slavnikova was born to a family of aerospace engineers near Sverdlosk in the Urals, modern day Ekaterinburg. After finishing school she studied journalism and graduated from Ekaterinburg State University. Slavnikova began publishing fiction in the late 1980s (her first novel appeared in 1988), during which time she was also fiction editor, then managing editor, of the important literary magazine ‘Urals'. She has lived and worked in Moscow since 2001.

A historian of medieval Russia by training, Vladimir Sharov (b. 1952) is the son of a geneticist who turned to writing prose, for children and adults, in the 1960s. Sharov himself began writing fiction in the late 1970s, but it was not until the 1990s that his highly unusual historiosophical novels came before the public gaze.

Slavnikova began publishing fiction in the late 1980s (her first novel appeared in 1988), during which time she was also fiction editor, then managing editor, of the important literary magazine ‘Urals'. She has lived and worked in Moscow since 2001.

9 ноября 2009 В Российском Посольстве в Лондоне состоялось первое заседание британского оргкомитета по подготовке к проекту «Россия – Почетный гость Лондонской книжной ярмарки 2011 года». В работе оргкомитета приняли участие влиятельные британские издатели, литературные агенты, журналисты и специалисты по русской литературе

Olga Slavnikova was born to a family of aerospace engineers near Sverdlosk in the Urals, modern day Ekaterinburg. After finishing school she studied journalism and graduated from Ekaterinburg State University. Slavnikova began publishing fiction in the late 1980s (her first novel appeared in 1988), during which time she was also fiction editor, then managing editor, of the important literary magazine ‘Urals'. She has lived and worked in Moscow since 2001.

Alexander Arkhangelsky was born in Moscow in 1962. He graduated in pedagogy and wrote a dissertation about Pushkin. At different times he has been a radio-journalist, written for literary journals and political newspapers, and has taught.

A historian of medieval Russia by training, Vladimir Sharov (b. 1952) is the son of a geneticist who turned to writing prose, for children and adults, in the 1960s. Sharov himself began writing fiction in the late 1970s, but it was not until the 1990s that his highly unusual historiosophical novels came before the public gaze. In so doing, they caused genuine acrimony and controversy among influential editors of the literary journals (especially Novyi mir). Many were appalled both by Sharov's literary method and by his exploration through fiction of the mythological and religious substrata of Russian (and especially Revolutionary) history and thought - in particular, of its Utopian, eschatological, and messianic tendencies. Undeterred, Sharov has continued in his distinctive groove, writing, in the opinion of many critics (some of whom now consider him a ‘living classic') one and the same book: an ongoing commentary on philosophy, history, and the sacred texts. In these complex meditations, the views of the author himself remain elusive.

In the three years since his first book was published, Oleg Zaionchkovsky (b. 1959) has gained the widespread admiration of critics and readers alike, a fact which appears to have taken the author himself by surprise. Until his recent move to Moscow, Zaionchkovsky had spent his entire adult life in the small town of Khotkovo, outside the capital, where he met his future wife at school at the age of thirteen, and where he worked as a metal worker and electrical engineer before trying his hand at prose at his wife's insistence. The result was Sergeev and the Little Town (Sergeev i gorodok, 2005), a book of short stories describing small-town byt (daily life). Marketed by its publishers, OGI, as a novel, it was immediately short-listed for the Russian Booker Prize. Petrovich came out that same year. Taking the reader through Petrovich's childhood and adolescence, it prompts comparison with other treatments of early life in the Russian literary tradition (by Lev Tolstoy, Sergei Aksakov and others).

May 2008
Cannes, France
It seems that for Russian cinema, good things come in threes: the Russian film industry suitably showcased at the first ever Russian film pavilion; leading Russian production and distribution companies present their best creations at the International Marché du Film; and stunning triumphs for first-time feature film directors Sergei Dvortsevoy and Valeria Gai-Germanika!

Olga Slavnikova was born to a family of aerospace engineers near Sverdlosk in the Urals, modern day Ekaterinburg. After finishing school she studied journalism and graduated from Ekaterinburg State University. Slavnikova began publishing fiction in the late 1980s (her first novel appeared in 1988), during which time she was also fiction editor, then managing editor, of the important literary magazine ‘Urals'. She has lived and worked in Moscow since 2001.

Deputy Chairman of Film Committee of BAFTA
He is currently director of the National Film & Television School in England, and he remains chairman of Scala Productions.

Vice President of Europa Cinemas
Ian Christie joined the School of History of Art, Film and Visual Media in Autumn 1999, as Anniversary Professor of Film and Media History, having previously been Professor of Film Studies at the University of Kent (1997-9) and Visiting Lecturer in Film at Oxford University (1995-8).

Deputy Chairman of Film Committee of BAFTA
He is currently director of the National Film & Television School in England, and he remains chairman of Scala Productions.

Director, 'Virginity'
He was born in Lvov in 1963 and graduated from the filmmaking school VGIK in 1990. His career in documentary films took off in 1999, when he became the writer and presenter of the Russian television show 'Real Cinema'.

Vice President of Europa Cinemas
Ian Christie joined the School of History of Art, Film and Visual Media in Autumn 1999, as Anniversary Professor of Film and Media History, having previously been Professor of Film Studies at the University of Kent (1997-9) and Visiting Lecturer in Film at Oxford University (1995-8).

Dir. Virginity
He was born in Lvov in 1963 and graduated from the filmmaking school VGIK in 1990. His career in documentary films took off in 1999, when he became the writer and presenter of the Russian television show 'Real Cinema'.

Now - 31 August 2008
Modern Art Oxford Gallery
Entry Free

Professor of Russian Government at the London School of Economics, Lieven has written extensively on Russian history and post-Soviet politics, and on empire and European history. His most recent publications include Russia and the Origins of the First World War (Macmillan, 1983), Russia's Rulers under the Old Regime (Yale U.P., 1989), Nicholas II (John Murray/St Martin's Press, 1993), and Empire: The Russian Empire and its Rivals (John Murray/Yale U.P., 2000).

Russian Summer in London
In this issue we trace the life and career of Russian-Polish émigré artist and Art Deco icon Tamara de Lempica, and we explore the mystery of “Russianness” in 19th century Russian painting.

Revelations in Colour
Dionisy & KandinskyThis issue of ROSSICA is dedicated to two great Russian artists, Dionisy and Vasily Kandinsky who were divided by four centuries.

Revelations in Colour
Dionisy & KandinskyThis issue of ROSSICA is dedicated to two great Russian artists, Dionisy and Vasily Kandinsky who were divided by four centuries.

Russian Summer in London
In this issue we trace the life and career of Russian-Polish émigré artist and Art Deco icon Tamara de Lempica, and we explore the mystery of “Russianness” in 19th century Russian painting.

Award-winning translator and scholar of modern Russian literature, was a Queen's Scholar at Westminster School and read Russian and Italian at Oxford. After graduating in 1998, he lived in Poland and Russia, where he worked as an editor at the Moscow News and The Moscow Times . He has also written for the Times Litarary Supplement and the New Statesman. He recently completed his doctorate at Wolfson College, Oxford. He has translated The Zero Train and The Prussian Bride by Yuri Buida. Oliver Ready's translation of The Prussian Bride was awarded the inaugural Russian Translation Prize in 2005.