Monday 7 June, 7pm
Kenneth Clark Lecture Theatre Courtauld Institute, Somerset House
Chaired by Elaine Feinstein
The Bolshevik Revolution produced a mass exodus of Russia’s aristocracy and educated bourgeoisie. In the years following 1917 many of Russia’s most talented writers, artists, composers, scientists, professionals,

Sunday 30 May, 5pm, Apollo Cinema
Immerse yourself in the world of surrealist Russian animation! On this very special Sunday evening we will be holding a one off screening of spectacular new Russian award-winning animations, presented by the famous Russian writer, Dmitry Bykov. The animations are based on stories by some of Russia’s wittiest writers, such as Chekhov, Krzhizhanovsky, Mayakovsky and Kharms, and include the Nika prize

Andrey Rodionov is one of Moscow’s most conspicuous poets. He was born in the town of Mytischi outside Moscow, and his sometimes harsh, gritty poetry describes the reality of this small-town upbringing. He was lead singer of a punk band for some years and, although he is no longer a musician, performance has remained important as and element of his poetry: he regularly performs his poetry live and is conscious of his need for and audience’s response to his reading.

Maria Galina is one of the most interesting authors among those who made their names in the turbulent 1990s. She writes both literary and science fiction (with ten SF books to her credit). She is also a noted poet, a thoughtful critic, and translator of English and American science fiction, in all of which she excels. She is a winner of many important prizes for her prose and poetry and her critical essays.

Maria Galina is one of the most interesting authors among those who made their names in the turbulent 1990s. She writes both literary and science fiction (with ten SF books to her credit). She is also a noted poet, a thoughtful critic, and translator of English and American science fiction, in all of which she excels. She is a winner of many important prizes for her prose and poetry and her critical essays.

20 June
Cadogan Hall
£10, £15, £18, £22
The concert features some of the most loved violin/piano music including the Brahms third violin sonata, Saint-Saens Introduction and Rondo Capriccioso and the beautiful sonata by Cesar Franck. In addition there will be performances of pieces by the Kazakh composers Tlendiyev and world premières by Serik Yerkimbekov.

When Academia Rossica approached me to serve on the jury for their translation prize, I was excited and intrigued. What would the field be like, how many entries would there be, were there still publishers around in the West willing to produce translations of serious Russian works? The classics apart, was there more to Russian literature for English-speaking people than penguins and historical detectives? My caricature of the average Western reader's view of Russian literature today can perhaps be excused in part by my own education.

I was delighted and astonished when I received the invitation to be one of the judges of this year’s ‘Rossica’ Translation Prize. Delighted – because, by accepting, I would be able to indulge myself with a clear conscience in reading (or, as it often turned out, rereading) many works of Russian literature rather than doing what I all too often do – reading works about Russian literature (and various other things). Astonished – because I am not a prolific or high-profile translator of Russian literature, so I was unsure about why I had been chosen. However, not being known for false modesty, I did feel that I was reasonably well qualified for the work ahead.

Izbavi Bog i nas ot etakikh sudei

A few weeks ago something strange happened. Someone sent me, through the post, ten million printed words – I’ll repeat that, in case you weren’t concentrating: ten million words – nearly half of them in a difficult foreign language. I was told to get reading them.

I see Russia’s future in the brightest of hues. Admittedly, this sort of statement does not befit a dystopian writer like me, who is supposed to make dire predictions, though for some what I am going to tell you will sound as bad as an anti-utopia (while I see it as an almost ideal outcome).

I see Russia’s future in the brightest of hues. Admittedly, this sort of statement does not befit a dystopian writer like me, who is supposed to make dire predictions, though for some what I am going to tell you will sound as bad as an anti-utopia (while I see it as an almost ideal outcome).

A hallmark of Shtypel's poetry is its lyrical playfulness matching a complex structure - demanding from the reader an active, if constrained, co-operation. Vladimir Gubailovsky of ‘Русский журнал' (‘Russian Journal') has said of Stypel that ‘he is, above all else, clear. This does not mean,' Gubailovsky continues, ‘that his verse is in any way basic - in fact quite the contrary. What really stays with you after reading Shtypel is a sense of poetic clarity'.

Maria Galina is one of the most interesting authors among those who made their names in the turbulent 1990s. She writes both literary and science fiction (with ten SF books to her credit). She is also a noted poet, a thoughtful critic, and translator of English and American science fiction, in all of which she excels. She is a winner of many important prizes for her prose and poetry and her critical essays.

Maria Galina is one of the most interesting authors among those who made their names in the turbulent 1990s. She writes both literary and science fiction (with ten SF books to her credit). She is also a noted poet, a thoughtful critic, and translator of English and American science fiction, in all of which she excels. She is a winner of many important prizes for her prose and poetry and her critical essays.

By Prudence Ivy
The second ever Russian Film Festival in London opened last Thursday night and I was at the press conference on Friday to mark its opening and get the general lowdown on contemporary Russian cinema from the festival’s organisers and some of the principle directors, actors and producers.

By Polly Corrigan
Some people love shoes, some love records. I love Russia. So it was with a happy heart that I trotted off to the first night of the Russian Film Festival in London last week.

By Andrea Hubert
The Russians are coming! Well, actually, they're already here, and now in the second year of their annual UK film festival. London-based arts organisation Academia Rossica showcases some of the brightest stars of contemporary Russian cinema.

6 June, 7pm, afterparty with DJ Taras till 01.00
O2 Arena
Rock group BI-2 is one of the most famous Russian rock groups. Since its formation in 1989 the group has released many very successful albums, has won some very prestigious awards including MTV Russia Music Awards in 2007, has been involved in several major music projects and has produced soundtracks to some of the very best Russian action movies, including Brat-2 (Brother-2). Their music is well known and easily recognizable for its rock-and-roll drive and fun-loving lyrics.

Maria Galina is one of the most interesting authors among those who made their names in the turbulent 1990s. She writes both literary and science fiction (with ten SF books to her credit). She is also a noted poet, a thoughtful critic, and translator of English and American science fiction, in all of which she excels. She is a winner of many important prizes for her prose and poetry and her critical essays.

Aleksandr Ilichevsky was born in Sumgayit, near Baku, in 1970. A graduate of the Moscow Institute of Physics and Technology, he worked in research in Israel and the United States from 1991 to 1998, and has lived in Moscow since 1998. Ilichevsky's published prose works include Klein's Bottle (Butyl'ka Kleina, 2005), and the novel Matisse (2007). ‘The Sparrow', which is included in Klein's Bottle and received the prestigious Yury Kazakov short story prize in 2005, is devoted to the famine which followed the introduction of grain requisitioning by the Soviet government in 1932 and which is thought to have killed some five million peasants. Matisse, by contrast, gives a panoramic picture of Moscow and Russia in the 1990s, taking as its protagonists two vagrants and a physicist who decides to join their number. Despite puzzling many readers and critics with its title, it was awarded the Russian Booker Prize in 2007.

20 February, 7.30pm
Wigmore Hall
£10-£20
Bach, Schubert, Prokofiev and Wieniawski
Ukranian violinist Andrej Bielow, makes his solo Wigmore Hall debut on Friday 20 February at 7.30pm in a recital with pianist, Severin von Eckardstein. Andrej is well-known to Wigmore audiences as leader of the Szymanowski Quartet – a position he has held since 2005.

May 2008
Cannes, France
It seems that for Russian cinema, good things come in threes: the Russian film industry suitably showcased at the first ever Russian film pavilion; leading Russian production and distribution companies present their best creations at the International Marché du Film; and stunning triumphs for first-time feature film directors Sergei Dvortsevoy and Valeria Gai-Germanika!

Maria Galina is one of the most interesting authors among those who made their names in the turbulent 1990s. She writes both literary and science fiction (with ten SF books to her credit). She is also a noted poet, a thoughtful critic, and translator of English and American science fiction, in all of which she excels. She is a winner of many important prizes for her prose and poetry and her critical essays.

26 February, 20.00
£8
Charlie Wright's, Old Street
"Mass Ave Project" is a fusion of styles, personalities, grooves and harmonies consisting of some of the best graduates and students of the world-renowned Berklee College of Music. The music played is all-original instrumental Jamiroquai meets John Scofield meets Herbie Hancock with elements of jazz and fusion.

by Sergei Lukyanenko
Translated by Andrew Bromfield
William Heinemann of The Random House Group, 2007, pp. 487
The morally ambiguous second volume in Lukyanenko's trilogy (after 2006's Night Watch, a major literary and cinematic success in Russia) portrays the epic supernatural struggle between good and evil from the point-of-view of the witch Alisa Donnikova.

by Elena Shvarts
Translated by Sasha Dugdale
Bloodaxe Books; 2008; pp. 167
This new bilingual Russian-English selection also includes some poems not yet been published in Russia. Elena Shvarts stands outside all schools and movements in contemporary Russian poetry. She once famously described poetry as a 'dance without legs'. Her own poetry fits this description perfectly, a combination of deeply rhythmic and lyrical dance with the eccentric, perpetual movement of flight.

by Tolstoy
Translated by Andrew Bromfield
HarperCollins; 2007; pp.885
War and Peace centers broadly on Napoleon’s invasion of Russia in 1812 and follows three of the best-known characters in literature: Pierre Bezukhov, the illegitimate son of a count who is fighting for his inheritance and yearning for spiritual fulfillment; Prince Andrei Bolkonsky, who leaves behind his family to fight in the war against Napoleon; and Natasha Rostov, the beautiful young daughter of a nobleman, who intrigues both men.

by Tolstoy
Translated Richard Pevear and Larissa Volokhonsky
Vintage Classics; 2007; pp. 1215
War and Peace is one of the richest novels ever written. Tolstoy’s enthralling epic combines history and fiction in his depiction of Russia’s lengthy war with the French armies of Napoleon and its effects on the domestic lives of those caught up in the conflict.

by Anatoly Riasov
Translated by Julia Konysheva (pseudonym Julga Heiligenbeil)
Kaftan Smekha; 2007; pp. 44
Although 'Exfoliation', analogously to a classic dramatic performance, has a plot, climax and conclusion, this action is based not on the logical, but emotional and associative links. It is not the plot that plays the key tole (in spite of its being 'dissolved' in the performance), but categories and metaphors, being the conceptual stem.

By Prudence Ivy
The second ever Russian Film Festival in London opened last Thursday night and I was at the press conference on Friday to mark its opening and get the general lowdown on contemporary Russian cinema from the festival’s organisers and some of the principle directors, actors and producers.

By Polly Corrigan
Some people love shoes, some love records. I love Russia. So it was with a happy heart that I trotted off to the first night of the Russian Film Festival in London last week.

By Andrea Hubert
The Russians are coming! Well, actually, they're already here, and now in the second year of their annual UK film festival. London-based arts organisation Academia Rossica showcases some of the brightest stars of contemporary Russian cinema.

By Prudence Ivy
The second ever Russian Film Festival in London opened last Thursday night and I was at the press conference on Friday to mark its opening and get the general lowdown on contemporary Russian cinema from the festival’s organisers and some of the principle directors, actors and producers.

By Polly Corrigan
Some people love shoes, some love records. I love Russia. So it was with a happy heart that I trotted off to the first night of the Russian Film Festival in London last week.

By Andrea Hubert
The Russians are coming! Well, actually, they're already here, and now in the second year of their annual UK film festival. London-based arts organisation Academia Rossica showcases some of the brightest stars of contemporary Russian cinema.

Dir. Cruelty
Born in 1964, Marina Liubakova began her career in TV and documentary filmmaking, working for some of the leading national TV channels - NTV and ‘1'. She made her first short film ‘Chase' in 1994. ‘Cruelty' is her debut feature film.