Elena Chizhova, a former economist, teacher and entrepreneur, finally turned to writing in 1996 after being rescued from a burning cruise ship. Since that time she has been consumed by the need to write, and has enjoyed considerable success as a result. Chizhova’s prose shuns trickery in favour of emotional honesty in order to probe the weeping sores of Russian history that contemporary culture would sooner forget.

Born in 1947 in Moscow, Leonid Yuzefovich spent his youth in the Urals, graduating from the History Faculty of Perm University. He then became an officer in the Soviet Army, serving in Buryatia and Mongolia. Since 1984 he has lived in Moscow. With a PhD in history, Yuzefovich worked for many years as a school history teacher and did not start writing in earnest until late in life.

Makanin’s route to his current position as one of the acknowledged masters of contemporary Russian prose is not only a representative tale of the history of Russian literature in the twentieth century, but also a testament to the depth of his talent. Born in 1937 in Orsk, a town straddling the boundary between Europe and Asia, the young Makanin was a chess fanatic. This passion led him to study maths in Moscow, where for many years he worked as a teacher and where he still lives.

Dmitry Kosyrev is one of Russia’s leading thriller writers. Kosyrev, who writes under the distinctive alias Master Chen, a legacy of his long-standing interest in the Far East, was born in 1955 and studied Chinese history at Moscow State University and the Nanyang University of Singapore.Since the late 1970s he has been actively involved in the national media, writing on international politics for leading newspapers such as Pravda, Rossiiskaia gazeta and Nezavisimaia gazeta; he is a Member of the Board of the Foreign Policy Association.

Sergei Kostin is a spy novelist, expert in the history of espionage, and documentary film maker. Graduating from the Moscow State Institute of Foreign Languages, Kostin refused an offer to collaborate with Soviet intelligence, preferring to work as a translator in Algeria. He returned to the theme of espionage during the Nineties, after being graduated from Cinema College (VGIK) as scriptwriter and while working for Russian and French TV Channels.

A historian of medieval Russia by training, Vladimir Sharov (b. 1952) is the son of a geneticist who turned to writing prose, for children and adults, in the 1960s. Sharov himself began writing fiction in the late 1970s, but it was not until the 1990s that his highly unusual historiosophical novels came before the public gaze.

29 October - 7 November, Apollo Piccadilly
The 4th Russian Film starts this Friday, 29 October, featuring the best in new Russian film, documentaries and animation and opens with The Ugly Duckling, master animator Garry Bardin's sparky and affecting stop-motion animation with Orwellian overtones. All films are shown in Russian with English subtitles.

5 –23 October
Celebrating Anton Chekhov's 150th Birthday, Caroline Blakiston performs her play at the Jermyn Street Theatre. Black Bread and Cucumber is Caroline Blakiston's acclaimed one-woman show about how she made history as the first British actress to play Chekhov in Russia, in Russian! Black Bread and Cucumber was written during 1992-3, following Caroline Blakiston’s unique experience playing Charlotta in The Cherry Orchard in Russia. She was the first English actress to play Chekhov in Russia in Russian.

Tolstoy's spirit returns to ancient lands: James Meek finds the power that Count Leo Tolstoy still holds over Russia's soul beating strongly in the heart of the novelist's great great grandson - the new director of his old estate, Yasnaya Polyana

A historian of medieval Russia by training, Vladimir Sharov (b. 1952) is the son of a geneticist who turned to writing prose, for children and adults, in the 1960s. Sharov himself began writing fiction in the late 1970s, but it was not until the 1990s that his highly unusual historiosophical novels came before the public gaze. In so doing, they caused genuine acrimony and controversy among influential editors of the literary journals (especially Novyi mir).

A historian of medieval Russia by training, Vladimir Sharov (b. 1952) is the son of a geneticist who turned to writing prose, for children and adults, in the 1960s. Sharov himself began writing fiction in the late 1970s, but it was not until the 1990s that his highly unusual historiosophical novels came before the public gaze.

The Bridges of Culture / Gesharim is large publisher of Jewish books written in Russian, publishing academic books on Judaism; the memoirs of Jewish cultural figures; the revival of Jewish nationalism; literature from Israel and its diasporas; art albums of Jewish cultural monuments; reprinted books about Jewish history and culture.

Dmitry Bykov was born in Moscow in 1967. He studied at Moscow State University's Faculty of Journalism, and journalism is something he remains engaged with: he regularly produces articles, essays and reviews for the leading Russian newspapers and magazines. He has senior editorial positions in various publications, hosts a weekly radio show and appears regularly on Russian TV. Bykov's literary output is voluminous. He has published eight novels, biographies of Pasternak and Bulat Okudjava, several collections of short stories, three volumes of essays and eight collections of poetry. His biography of Pasternak won the National Bestseller Prize and the 2007 Big Book Prize and was a critical and commercial hit, enjoying three print runs.

by Mikhail Aizenberg
Translated by J. Kates
Zephyr Press, 2007, pp.108
Mikhail Aizenberg has lived and breathed and had his being at the heart of the last generation of poets that came to maturity under the regime of the Soviet Union. He has been not only one of its most eloquent practitioners, but also its chronicler and interpreter.

by Alexander Pushkin
Translated by Robert and Elizabeth Chandler
Hesperus Press, 2008, pp. 115
Pushkin's version of the historical novel in the style of Walter Scott, this final prose work also reflects his fascination with and research into Russian history of the 18th century. During the reign of Catherine the Great, the young Grinev sets out for his new career in the army and en route performs an act of kindness by giving his warm coat to a man freezing in a blizzard.

by Mikhail Kuzmin
Translated by Hugh Aplin
Hesperus Press, 2007, pp. 112
A key text in the history of gay literature, Wings was published in 1906 to the scandalized reaction of contemporary society and the generations which followed. Its central theme of aestheticized sensuality has drawn comparisons with the work of contemporaries Oscar Wilde and André Gide.

by Sergei Lukyanenko
Translated by Andrew Bromfield
William Heinemann of The Random House Group, 2007, pp. 487
The morally ambiguous second volume in Lukyanenko's trilogy (after 2006's Night Watch, a major literary and cinematic success in Russia) portrays the epic supernatural struggle between good and evil from the point-of-view of the witch Alisa Donnikova.

by Rafael Grugman
Translated by Geoffrey Carlson
Liberty Publishing House, 2008, pp.239
The scene is the twenty-third century. At the heart of the novel is a love story between a man and a woman who are forced to hide their feelings and pass as homosexuals. Nontraditional Love describes a homosexual world in which heterosexual marriages are forbidden. World history and the classics of world literature Tolstoy, Shakespeare... have been falsified in order to support the ideology of this opposite world.

by Tolstoy
Translated Richard Pevear and Larissa Volokhonsky
Vintage Classics; 2007; pp. 1215
War and Peace is one of the richest novels ever written. Tolstoy’s enthralling epic combines history and fiction in his depiction of Russia’s lengthy war with the French armies of Napoleon and its effects on the domestic lives of those caught up in the conflict.

by Alexandr Terekhov
Translated by Natalie Roy and B.T. Gall
Alma Books; 2008; pp. 347
Rats and human beings aren't that far apart from each other in "The Rat-Killer". As the political intrigue of phantasmagorical post-communist reality develops into nightmare, the greed, cunning and malice of the humans more and more resemble the behaviour of the large communities of destructive rodents, while the rats acquire more and more human features.

Film critic
Plakhov was born in Starokostiantyniv, Ukrainian SSR. After graduating in mechanics and mathematics from Lviv University, he studied history of cinema at the Gerasimov Institute of Cinematography.

Vice President of Europa Cinemas
Ian Christie joined the School of History of Art, Film and Visual Media in Autumn 1999, as Anniversary Professor of Film and Media History, having previously been Professor of Film Studies at the University of Kent (1997-9) and Visiting Lecturer in Film at Oxford University (1995-8).

Director, 'Rock Monologue'
Born in 1956, Minsk. Vladimir studied history at the Belarus State University. He then completed a course for assistant and second unit directors at VGIK (Moscow).

Vice President of Europa Cinemas
Ian Christie joined the School of History of Art, Film and Visual Media in Autumn 1999, as Anniversary Professor of Film and Media History, having previously been Professor of Film Studies at the University of Kent (1997-9) and Visiting Lecturer in Film at Oxford University (1995-8).

Film critic
Plakhov was born in Starokostiantyniv, Ukrainian SSR. After graduating in mechanics and mathematics from Lviv University, he studied history of cinema at the Gerasimov Institute of Cinematography.