Born in 1947 in Moscow, Leonid Yuzefovich spent his youth in the Urals, graduating from the History Faculty of Perm University. He then became an officer in the Soviet Army, serving in Buryatia and Mongolia. Since 1984 he has lived in Moscow. With a PhD in history, Yuzefovich worked for many years as a school history teacher and did not start writing in earnest until late in life.

Mikhail Veller was born in 1948. He graduated with a degree in philology from Leningrad University in 1972. After university he worked in many different areas, including working as a logger in the taiga, a hunter, a shepherd, a teacher and a journalist. In recent years he has delivered lectures on modern Russian literature at the universities of Milan, Jerusalem and Copenhagen.

Maria Stepanova is a graduate of the Literature Institute. She has worked in various media, and since 2007 has been the chief editor of the literary internet portal Openspace.ru. Stepanova is the author of several poetry collections, winning many major national and international awards, like the German Hubert Burda prize in 2006. Her works also have appeared in many of Russia’s literary magazines including Zerkalo, Kriticheskaya Massa and Novoe Literaturnoe Obozrenie (NLO)

Makanin’s route to his current position as one of the acknowledged masters of contemporary Russian prose is not only a representative tale of the history of Russian literature in the twentieth century, but also a testament to the depth of his talent. Born in 1937 in Orsk, a town straddling the boundary between Europe and Asia, the young Makanin was a chess fanatic. This passion led him to study maths in Moscow, where for many years he worked as a teacher and where he still lives.

Alexander Ilichevsky was born in Sumgait, Azerbaijan in 1970 and graduated in theoretical physics from a technological institute affiliated to Moscow University. He is the author of many literary works in various genres, both poetry and prose, all of which have been published in Russia’s most prestigious literary journals, such as Novy mir (New World), Oktiabr (October) – and all to great literary acclaim.

Linor Goralik was born in Dnepropetrovsk, Ukraine in 1975 and emigrated to Israel before moving to Moscow in 2001. She has published a number of prose books including two novels written in collaboration: No was co-authored with Sergey Kuznetsov; and Half of the Sky, with Stanislav Lvovsky. Both were published in 2004. She has produced several poetry collections, with many pieces appearing in journals such as Novy Mir and Vozduh, as well as publishing two children’s stories.

Marina Boroditskaya is a Russian poet and translator. She graduated in 1976 from the Moscow State Institute of Foreign Languages, and is well known for translating English, American and French classical poetry. She has published numerous books of children’s poetry in Russia, and translated many English-language children’s writers, including A. A. Milne, Eleanor Farjeon and Hilaire Belloc.

Slavnikova began publishing fiction in the late 1980s (her first novel appeared in 1988), during which time she was also fiction editor, then managing editor, of the important literary magazine ‘Urals'. She has lived and worked in Moscow since 2001.

Maria Galina is one of the most interesting authors among those who made their names in the turbulent 1990s. She writes both literary and science fiction (with ten SF books to her credit). She is also a noted poet, a thoughtful critic, and translator of English and American science fiction, in all of which she excels. She is a winner of many important prizes for her prose and poetry and her critical essays.

A historian of medieval Russia by training, Vladimir Sharov (b. 1952) is the son of a geneticist who turned to writing prose, for children and adults, in the 1960s. Sharov himself began writing fiction in the late 1970s, but it was not until the 1990s that his highly unusual historiosophical novels came before the public gaze.

Dmitry Bykov was born in Moscow in 1967. He studied at Moscow State University's Faculty of Journalism, and journalism is something he remains engaged with: he regularly produces articles, essays and reviews for the leading Russian newspapers and magazines. He has senior editorial positions in various publications, hosts a weekly radio show and appears regularly on Russian TV.

Dmitry Bykov was born in Moscow in 1967. He studied at Moscow State University's Faculty of Journalism, and journalism is something he remains engaged with: he regularly produces articles, essays and reviews for the leading Russian newspapers and magazines. He has senior editorial positions in various publications, hosts a weekly radio show and appears regularly on Russian TV. Bykov's literary output is voluminous. He has published eight novels, biographies of Pasternak and Bulat Okudjava, several collections of short stories, three volumes of essays and eight collections of poetry. His biography of Pasternak won the National Bestseller Prize and the 2007 Big Book Prize and was a critical and commercial hit, enjoying three print runs.

Saturday, 20 November, 7.30pm
Richmond Upon Thames Literature Festival
n the year marking the centenary of Tolstoy’s death, Anne Sebba joins A.N. Wilson in discussing the fascinating diaries of Leo Tolstoy’s wife, Sofia. These diaries are a testament to a woman of tremendous vital energy and poetic sensibility who, in the face of provocation and suffering, continued to strive for the higher things in life; to remain indomitable.

A firm believer that architects should be gardeners not morticians enshrouding a city in cement, David Sarkisyan, Director of the Shchusev Museum of Architecture in Moscow, has been featured in the new issue of the Russia Now supplement to the Daily Telegraph, published today. Under David Sarkisyan's administration, the Shchusev museum became the centre of Moscow’s architectural and artistic life and now his old office is a memorial of his life's work.

Academia Rossica and the Federal Agency for Press and Mass Communication invite you to take part in a competition to think up a slogan for the Russian stand and for the Russia Market Focus programme at the London Book Fair 2010.
We need your help to come up with a biright, contemporary and effective slogan which will place Russian literature and the Russian publishing industry at one of the most prestigious international publishing forums. The slogan will be used at the Russian stand on all marketing material - press releases, brochures, banners, etc.

Academia Rossica и Федеральное Агентство по печати и массовым коммуникациям приглашают вас принять участие в конкурсе на создание слогана для Российского стенда и программы «Россия – Почетный гость Лондонской Книжной ярмарки 2011».
Нам нужна Ваша помощь в создании эффективного, яркого, современного слогана, позиционирующего русскую литературу и русское издательское сообщество на одном из самых престижных международных издательских форумов.

Saturday 19 June, 7.30pm & 10.30pm, PizzaExpress Jazz Club
A long established leading figure in Russian jazz and an internationally acclaimed pianist, Daniel Kramer will visit London to perform two live concerts exclusively for the audience of the PizzaExpress Jazz Club. The innovator of Russia's jazz scene and artistic director of no less than four jazz festivals, he lectures at Moscow State Conservatory and Central Music School while also being the Chairman of the Jazz

Monday 7 June, 7pm
Kenneth Clark Lecture Theatre Courtauld Institute, Somerset House
Chaired by Elaine Feinstein
The Bolshevik Revolution produced a mass exodus of Russia’s aristocracy and educated bourgeoisie. In the years following 1917 many of Russia’s most talented writers, artists, composers, scientists, professionals,

9 May is a very special day – Victory Day. It is particularly special for Russia, since of all countries it paid the heaviest price for its own freedom and for the freedom of other countries from fascism. This is our common victory. It became possible only thanks to the joint efforts of all allies and the struggle of those who fought against fascism in their own countries. On this day we celebrate life and freedom and commemorate those who gave up their lives for us during the World War II.

Boris Ryzhy Director Aliona van der Horst NETHERLANDS/2008/BETACAM/COLOUR/59 MIN/RUSSIAN ENGLISH SUBTITLES Prize-winning documentary film by Aliona van der Horst about Russian poet Boris Ryzhy "All of my poems speak only of love and death," wrote Russian poet Boris Ryzhy (1974-2001) in 2000. "But all the same, I'm happy with my wife and son." One year later, the charming young tough, who had already achieved considerable literary renown, hanged himself-in so doing following in the footsteps of many Russian artists before him. The author of a thousand poems and recipient of Russia's most prestigious literary prize, he was only 26 years old. Trying to understand what drove him to suicide, van der Horst uncovers the hidden drama of the entire perestroika generation, for which Boris Ryzhy was the standard bearer. "We were deprived of communism without being given access to capitalism," explains his widow. The perestroika years of the Yeltsin era, a time that we in the West associate with democracy and freedom, have an entirely different meaning in the anarchic streets of Yekaterinenburg, the industrial city where Ryzhy grew up and which so marked his life and work. However, despite this dark reality, Ryzhy's love of life is what comes to the fore in van der Horst's poetic film: through his work, pain is transformed into grace.

A historian of medieval Russia by training, Vladimir Sharov (b. 1952) is the son of a geneticist who turned to writing prose, for children and adults, in the 1960s. Sharov himself began writing fiction in the late 1970s, but it was not until the 1990s that his highly unusual historiosophical novels came before the public gaze. In so doing, they caused genuine acrimony and controversy among influential editors of the literary journals (especially Novyi mir).

Olga Slavnikova was born to a family of aerospace engineers near Sverdlosk in the Urals, modern day Ekaterinburg. After finishing school she studied journalism and graduated from Ekaterinburg State University. Slavnikova began publishing fiction in the late 1980s (her first novel appeared in 1988), during which time she was also fiction editor, then managing editor, of the important literary magazine ‘Urals'. She has lived and worked in Moscow since 2001.

Maria Galina is one of the most interesting authors among those who made their names in the turbulent 1990s. She writes both literary and science fiction (with ten SF books to her credit). She is also a noted poet, a thoughtful critic, and translator of English and American science fiction, in all of which she excels. She is a winner of many important prizes for her prose and poetry and her critical essays.

Dmitry Bykov was born in Moscow in 1967. He studied at Moscow State University's Faculty of Journalism, and journalism is something he remains engaged with: he regularly produces articles, essays and reviews for the leading Russian newspapers and magazines. He has senior editorial positions in various publications, hosts a weekly radio show and appears regularly on Russian TV.

Dmitry Bykov was born in Moscow in 1967. He studied at Moscow State University's Faculty of Journalism, and journalism is something he remains engaged with: he regularly produces articles, essays and reviews for the leading Russian newspapers and magazines. He has senior editorial positions in various publications, hosts a weekly radio show and appears regularly on Russian TV.

A historian of medieval Russia by training, Vladimir Sharov (b. 1952) is the son of a geneticist who turned to writing prose, for children and adults, in the 1960s. Sharov himself began writing fiction in the late 1970s, but it was not until the 1990s that his highly unusual historiosophical novels came before the public gaze.

Maria Galina is one of the most interesting authors among those who made their names in the turbulent 1990s. She writes both literary and science fiction (with ten SF books to her credit). She is also a noted poet, a thoughtful critic, and translator of English and American science fiction, in all of which she excels. She is a winner of many important prizes for her prose and poetry and her critical essays.

Slavnikova began publishing fiction in the late 1980s (her first novel appeared in 1988), during which time she was also fiction editor, then managing editor, of the important literary magazine ‘Urals'. She has lived and worked in Moscow since 2001.

26 May
Moscow
On the 26th of May, the names of the writers shortlisted for the 'Big Book' literary prize were announced. 13 authors have been shortlisted. Two of the shortlisted books were entered into the competition as manuscripts: Mariam Petrosyan's 'The House Where'and Andrei Baldin's 'The Extension of the Full Stop'.

When Academia Rossica approached me to serve on the jury for their translation prize, I was excited and intrigued. What would the field be like, how many entries would there be, were there still publishers around in the West willing to produce translations of serious Russian works? The classics apart, was there more to Russian literature for English-speaking people than penguins and historical detectives? My caricature of the average Western reader's view of Russian literature today can perhaps be excused in part by my own education.

I was delighted and astonished when I received the invitation to be one of the judges of this year’s ‘Rossica’ Translation Prize. Delighted – because, by accepting, I would be able to indulge myself with a clear conscience in reading (or, as it often turned out, rereading) many works of Russian literature rather than doing what I all too often do – reading works about Russian literature (and various other things). Astonished – because I am not a prolific or high-profile translator of Russian literature, so I was unsure about why I had been chosen. However, not being known for false modesty, I did feel that I was reasonably well qualified for the work ahead.

Izbavi Bog i nas ot etakikh sudei

A few weeks ago something strange happened. Someone sent me, through the post, ten million printed words – I’ll repeat that, in case you weren’t concentrating: ten million words – nearly half of them in a difficult foreign language. I was told to get reading them.

Along with the 45 Indian authors arriving in London next week to take part in the book fair's India programme will be a smaller touring party of Russian writers. Like the Indian promotion, Russian Literature Week is based at the fair but also takes in central London - there are nightly discussions with authors at Waterstone's, Piccadilly, starting on Monday - and events around the country.

Along with the 45 Indian authors arriving in London next week to take part in the book fair's India programme will be a smaller touring party of Russian writers. Like the Indian promotion, Russian Literature Week is based at the fair but also takes in central London - there are nightly discussions with authors at Waterstone's, Piccadilly, starting on Monday - and events around the country.