The author of widely acclaimed novels, Shishkin is admired as a refined stylist whose fiction engages Russian and European literary traditions and forges an equally expansive vision for the future of literature. Born January 18, 1961 in Moscow, Shishkin worked as a school teacher and journalist. His writing debut in 1993, the short story Calligraphy Lesson, was named Best Debut of the Year by the literary journal Znamya.

The BOOKS FROM RUSSIA stand was held at the London Book Fair for the third time by the Russian Federal Agency for Press and Mass Communication in collaboration with Academia Rossica. Building on the success of last year, publishers were offered even greater opportunities for creating and expanding business links with the fast growing Russian book market. This was of particular important this year as part of the lead up to the 2011 London Book Fair, where Russia will be the Guest of Honour. Despite being affected by the unexpected volcanic activity, as was the entire London Book Fair, we were very pleased to see that the BOOKS FROM RUSSIA stand was one of the liveliest at the fair.

Vladimir Grigoriev is Deputy Head of the Russian Federal Agency for the Press and Mass Communications and he is a tireless campaigner and champion of Russian literature and culture at all the world's major book fairs: he has famously said, ‘Russian literature should know no boundaries.'

Slavnikova began publishing fiction in the late 1980s (her first novel appeared in 1988), during which time she was also fiction editor, then managing editor, of the important literary magazine ‘Urals'. She has lived and worked in Moscow since 2001.

Saturday, 20 November, 7.30pm
Richmond Upon Thames Literature Festival
n the year marking the centenary of Tolstoy’s death, Anne Sebba joins A.N. Wilson in discussing the fascinating diaries of Leo Tolstoy’s wife, Sofia. These diaries are a testament to a woman of tremendous vital energy and poetic sensibility who, in the face of provocation and suffering, continued to strive for the higher things in life; to remain indomitable.

5 –23 October
Celebrating Anton Chekhov's 150th Birthday, Caroline Blakiston performs her play at the Jermyn Street Theatre. Black Bread and Cucumber is Caroline Blakiston's acclaimed one-woman show about how she made history as the first British actress to play Chekhov in Russia, in Russian! Black Bread and Cucumber was written during 1992-3, following Caroline Blakiston’s unique experience playing Charlotta in The Cherry Orchard in Russia. She was the first English actress to play Chekhov in Russia in Russian.

4th Russian Film Festival, 29 October – 7 November Dear Friends! The Russian Film Festival is getting ready to present London with this year's best premieres in Russian cinema. The Main Programme As always, the main festival programme showcases the best Russian films, award-winners at major international and Russian film festivals. These films include, 'Silent Souls' (Ovsyanki), directed by Alexei Fedorchenko and winner of three prizes at the Venice Film Festival, 'How I Ended This Summer' by Alexei Popogrebsky, awarded prizes for best actor and best cinematography at the Berlinale, 'One War' by Vera Glagoleva, Grand Prix winner at Sofia International Film Festival and Russia's nomination for the Oscars and Svetlana Proscurina's latest film 'The Truce', winner of the main prize at Kinotavr. As in previous years, guests include directors, producers and actors who come to London specially to present their films at the festival. Documentaries – 'Noughties Art' This year's documentary programme sums up the last decade with screenings of the ten best Russian documentary films, one for each year. The programme is presented by the great director and documentary maker, Vitaly Mansky, president of the ArtDocFest. Animation Alongside the main programme and documentaries, we have also put together a comprehensive and diverse programme of animation. As part of our festival 'Astral dogs Belka and Strelka' take a trip to outer space captained by director Inna Evlannikova, while Irina Evteeva, famous for her graceful and original style, brings 'Little Tragedies' to the screen. These films will capture the hearts of adults and childen alike. As well as an extensive programme of full length animation, we will be screening a special programme for our young audiences, presenting the best of award-winning Russian animated films of recent years Special Screenings This year's film festival also includes a retrospective of the great actor and director Sergei Bondarchuk's films and the works of Leo Tolstoy on film, as well as a retrospective of masters of Soviet and Russian animation. Venue For the fourth year in a row the Russian Film Festival will take place at the Apollo Piccadilly, one of London's best cinemas.

The prize was established in 2008 by the founder and honorary president of a Russian mobile phone company Vimpelcom Dmitry Zimin. This year the long list made the total of 25 books, three of them still manuscripts. The books were nominated by the publishers, the prize committee and the Club of science journalists.The members of the jury will select books for the shortlist over summer, and winners in humanities and natural sciences will receive 720, 000 roubles (£16,000) each.

The first Russian stand at BookExpo America New York, 25 - 27 May 2010 This year the BOOKS FROM RUSSIA stand took part in BookExpo America, the main fair in the American book industry. The stand was organised by the Russian Federal agency for Press and Mass Communications and represented a range of Russian publishers. BookExpo America is currently undergoing major changes, transforming itself from a fair which focused primarily on the domestic market into an international book forum.

Boris Ryzhy Director Aliona van der Horst NETHERLANDS/2008/BETACAM/COLOUR/59 MIN/RUSSIAN ENGLISH SUBTITLES Prize-winning documentary film by Aliona van der Horst about Russian poet Boris Ryzhy "All of my poems speak only of love and death," wrote Russian poet Boris Ryzhy (1974-2001) in 2000. "But all the same, I'm happy with my wife and son." One year later, the charming young tough, who had already achieved considerable literary renown, hanged himself-in so doing following in the footsteps of many Russian artists before him. The author of a thousand poems and recipient of Russia's most prestigious literary prize, he was only 26 years old. Trying to understand what drove him to suicide, van der Horst uncovers the hidden drama of the entire perestroika generation, for which Boris Ryzhy was the standard bearer. "We were deprived of communism without being given access to capitalism," explains his widow. The perestroika years of the Yeltsin era, a time that we in the West associate with democracy and freedom, have an entirely different meaning in the anarchic streets of Yekaterinenburg, the industrial city where Ryzhy grew up and which so marked his life and work. However, despite this dark reality, Ryzhy's love of life is what comes to the fore in van der Horst's poetic film: through his work, pain is transformed into grace.

The Debut Prize was instituted in 2000 by State Duma Deputy Andrei Skoch, creator of the humanitarian foundation Pokolenie (Generation). Skoch originally conceived of Pokolenie as a medical charity to help provincial Russian clinics, sick children and pensioners. The Debut, Pokolenie’s only cultural project to date, has become a prize of national renown. The Debut has a strict age limit: entrants may not be over the age of 25. Members of the Russian literary establishment were skeptical at first. They doubted that writers so young would have something to say to readers. Young writers might try their hand at poetry, they argued, but they didn’t have enough life experience to write a story or a novel. However, the Debut has shown that a person’s life experience at any age is complete in and of itself. What a person knows about the world at 20 has been forgotten by the time he is 30. What he could have written at 20 he will no longer write at 30. He will write something else. Strangely enough, most writers live without their first book: it remains in their minds, in drafts. The Debut inspires young Russian writers to complete that first book. The Debut prompts them to commit to literature their unique experience, what might be described as the shock of their first encounter with grown-up life. Not just their new existential status, but daily events. Suddenly a person is faced with bank applications, having to pay rent and buy insurance; no one will fill out the forms for him, no one will answer for him. And he suddenly feels horribly alone in the world. This sort of loneliness, like any other, has a huge creative potential. The Debut brings in the first literary harvest of the writing generation — and it does so every year. 2010 marks the first year of Debut’s international program. Funded by Pokolenie, the program aims to present the works of Debut finalists and winners to the foreign reader. Collections of these works will be translated and their authors will be sent to international book fairs and festivals. This year’s collection appears in English and Chinese. Future collections will be brought out in French, German, Italian, Spanish, Japanese, and so on. Since the number of Debut finalists and winners is only increasing, as is their level and mastery, publication of their works in English will continue.

Olga Slavnikova was born to a family of aerospace engineers near Sverdlosk in the Urals, modern day Ekaterinburg. After finishing school she studied journalism and graduated from Ekaterinburg State University. Slavnikova began publishing fiction in the late 1980s (her first novel appeared in 1988), during which time she was also fiction editor, then managing editor, of the important literary magazine ‘Urals'. She has lived and worked in Moscow since 2001.

Slavnikova began publishing fiction in the late 1980s (her first novel appeared in 1988), during which time she was also fiction editor, then managing editor, of the important literary magazine ‘Urals'. She has lived and worked in Moscow since 2001.

Vladimir Grigoriev is Deputy Head of the Russian Federal Agency for the Press and Mass Communications and he is a tireless campaigner and champion of Russian literature and culture at all the world's major book fairs: he has famously said, ‘Russian literature should know no boundaries.'

28 June, 14.00-23.00
Conway Hall, Red Lion Square, WC1R 4RL
A day of Russian culture to celebrate the year of youth. There will be a screening of the film 'Peter FM' with English subtitles at 14.00 followed by an art workshop, a quiz, a concert from participants in the Russian Song Contest 2009 and then live Russian music and a food and drinks buffet.

26 May
Moscow
On the 26th of May, the names of the writers shortlisted for the 'Big Book' literary prize were announced. 13 authors have been shortlisted. Two of the shortlisted books were entered into the competition as manuscripts: Mariam Petrosyan's 'The House Where'and Andrei Baldin's 'The Extension of the Full Stop'.

When Academia Rossica approached me to serve on the jury for their translation prize, I was excited and intrigued. What would the field be like, how many entries would there be, were there still publishers around in the West willing to produce translations of serious Russian works? The classics apart, was there more to Russian literature for English-speaking people than penguins and historical detectives? My caricature of the average Western reader's view of Russian literature today can perhaps be excused in part by my own education.

The first day ended with an evening with Dmitry Bykov and Bridget Kendall at Waterstone’s, Piccadilly. Bykov entertained the large audience with, along with everything else, a joke. It went like this: “At birth you get a label put on your arm, after death, it’s put on your foot. If someone gets the same number both times, they win a prize – a pressure cooker.”

By Richard Hilton
For the second year running, a selection of the best new films, documentaries and video art that Russia has to offer is being shown in central London accompanied by many of their film stars and directors.

By Andrea Hubert
The Russians are coming! Well, actually, they're already here, and now in the second year of their annual UK film festival. London-based arts organisation Academia Rossica showcases some of the brightest stars of contemporary Russian cinema.

By James Norton
The past year has been a triumphant one for a resurgent Russian film industry buoyed up by the nation’s expansive mood. The poetic, experimental strand for which Russian cinema was so celebrated in Soviet times has survived in the contrasting but also adverse circumstances prevailing today.

March 23, 7.30pm
£12-£24
Following her sold-out Brahms recital last season, when she returned to the London concert platform after many years’ absence, Russian pianist Nelly Akopian-Tamarina makes a return to Wigmore Hall with an atmospheric programme of middle-European mood scenes. Blocked by official censorship in Russia from giving public concerts for more than a decade, Moscow-born Nelly Akopian-Tamarina has revisited Russia in recent years to give concerts at the Bolshoi Hall of the Moscow Conservatoire and also in Kiev.

May 2008
Cannes, France
It seems that for Russian cinema, good things come in threes: the Russian film industry suitably showcased at the first ever Russian film pavilion; leading Russian production and distribution companies present their best creations at the International Marché du Film; and stunning triumphs for first-time feature film directors Sergei Dvortsevoy and Valeria Gai-Germanika!

Mikhail Shishkin was born in 1961 and grew up in Moscow. He studied at the Moscow State Pedagogical Institute where he trained as a teacher. Following his graduation in 1982, Shishkin worked as a journalist at ‘Rovesnik’ and then, between 1985 and 1995, as a teacher of English and German. In 1995 he moved to Switzerland and he lives in Zurich to this day. Buoyed by Shishkin’s sophisticated language and phrases of unique melody, predictable comparisons have been made to that other writer of extraordinary linguistic versatility, Vladimir Nabokov. Though he understands himself as within a tradition of Russian writers in exile, for Shishkin, the question ‘to return or not to return to Russia’ simply does not exist. He asserts that ‘for a better understanding of the self one should live everywhere’.

Olga Slavnikova was born to a family of aerospace engineers near Sverdlosk in the Urals, modern day Ekaterinburg. After finishing school she studied journalism and graduated from Ekaterinburg State University. Slavnikova began publishing fiction in the late 1980s (her first novel appeared in 1988), during which time she was also fiction editor, then managing editor, of the important literary magazine ‘Urals'. She has lived and worked in Moscow since 2001.

Born in 1975 under his real name of Yevgeniy Nikolayevich Lavlinsky, Zakhar Prilepin grew up in a small village, Ilinka Skaponskovo, in Ryazan Province, not too distant from Nizhni Novgorod. He comes from a family of teachers and nurses. After finishing at the Philology Department of Nizhni Novgorod State University he worked as a security guard and a journalist before joining the Russia’s ‘Special Purpose Police Squad’ (the OMON) and, as a captain, serving on military deployments in Chechnya during 1996 and 1999.

By James Norton
The past year has been a triumphant one for a resurgent Russian film industry buoyed up by the nation’s expansive mood. The poetic, experimental strand for which Russian cinema was so celebrated in Soviet times has survived in the contrasting but also adverse circumstances prevailing today.

By Richard Hilton
For the second year running, a selection of the best new films, documentaries and video art that Russia has to offer is being shown in central London accompanied by many of their film stars and directors.

By Andrea Hubert
The Russians are coming! Well, actually, they're already here, and now in the second year of their annual UK film festival. London-based arts organisation Academia Rossica showcases some of the brightest stars of contemporary Russian cinema.

By Richard Hilton
For the second year running, a selection of the best new films, documentaries and video art that Russia has to offer is being shown in central London accompanied by many of their film stars and directors.

By Andrea Hubert
The Russians are coming! Well, actually, they're already here, and now in the second year of their annual UK film festival. London-based arts organisation Academia Rossica showcases some of the brightest stars of contemporary Russian cinema.

By James Norton
The past year has been a triumphant one for a resurgent Russian film industry buoyed up by the nation’s expansive mood. The poetic, experimental strand for which Russian cinema was so celebrated in Soviet times has survived in the contrasting but also adverse circumstances prevailing today.