29 October - 7 November, Apollo Piccadilly
The 4th Russian Film starts this Friday, 29 October, featuring the best in new Russian film, documentaries and animation and opens with The Ugly Duckling, master animator Garry Bardin's sparky and affecting stop-motion animation with Orwellian overtones. All films are shown in Russian with English subtitles.

Diaghilev fever is taking London by storm. The V&A's major exhibition 'Diaghilev and the Golden Age of the Ballets Russes, 1909-1929' reveals Diaghilev's enduring influence on 20th-century art, design and fashion. The V&A is also holding a number of other Diaghilev themed events, including 'The Music of Diaghilev with the Philharmonia Orchestra' and 'Rephrasing the Ballets Russes', in collaboration with the English National Ballet. And the perfect accompaniment to this year's season of Diaghilev events is Sjeng Scheijen's new biography of the arguably the greatest (and most controversial) impresario of all time.

5 –23 October
Celebrating Anton Chekhov's 150th Birthday, Caroline Blakiston performs her play at the Jermyn Street Theatre. Black Bread and Cucumber is Caroline Blakiston's acclaimed one-woman show about how she made history as the first British actress to play Chekhov in Russia, in Russian! Black Bread and Cucumber was written during 1992-3, following Caroline Blakiston’s unique experience playing Charlotta in The Cherry Orchard in Russia. She was the first English actress to play Chekhov in Russia in Russian.

29 September, 7.30pm at the Institut français
Author of 'A Russian Novel' Emmanuel Carrère joins Tibor Fischer for a talk on Identity. A Russian Novel traces Carrère’s pursuit of three obsessions: a good story, the disappearance of his Russian grandfather and his fascination with a woman he loves but cannot keep from destroying.
The talk will be followed by the screening of Emmanuel Carrère's documentary on Russia, Retour à Kotelnitch

Academia Rossica and the Federal Agency for Press and Mass Communication invite you to take part in a competition to think up a slogan for the Russian stand and for the Russia Market Focus programme at the London Book Fair 2010.
We need your help to come up with a biright, contemporary and effective slogan which will place Russian literature and the Russian publishing industry at one of the most prestigious international publishing forums. The slogan will be used at the Russian stand on all marketing material - press releases, brochures, banners, etc.

The International Lounge at the Moscow International Book Fair is a space where the Russian publishing world can form links with the international book industry. Alongside the extensive programme of seminars and roundtables, it is a place for networking and deals, as well as being an information centre on international collaboration. The International Lounge is organised by Academia Rossica with the support from the Federal Agency for Press and Mass Communication and the Moscow International Book Fair. The programme of seminars and presentations is focused on the preparation for Russia Market Focus at the London Book Fair 2011.

The Russkiy Mir Foundation in collaboration with Academia Rossica is launching a programme of grants for literary translation from Russian into English. This programme aims to promote Russian literature internationally and facilitate cultural and intellectual links between Russia and the English-speaking world. We invite publishers and translators to apply for funding to translate works from Russian into English. We are particularly keen to support projects that aim to bring original literary projects and works by contemporary Russian writers to a wider English audience. On the whole, priority is given to translation of contemporary fiction and poetry; literary non-fiction titles and new translations of classics may also be eligible if they are exceptional in terms of literary value. The scheme supports only translations from the original Russian text.

4th Russian Film Festival, 29 October – 7 November Dear Friends! The Russian Film Festival is getting ready to present London with this year's best premieres in Russian cinema. The Main Programme As always, the main festival programme showcases the best Russian films, award-winners at major international and Russian film festivals. These films include, 'Silent Souls' (Ovsyanki), directed by Alexei Fedorchenko and winner of three prizes at the Venice Film Festival, 'How I Ended This Summer' by Alexei Popogrebsky, awarded prizes for best actor and best cinematography at the Berlinale, 'One War' by Vera Glagoleva, Grand Prix winner at Sofia International Film Festival and Russia's nomination for the Oscars and Svetlana Proscurina's latest film 'The Truce', winner of the main prize at Kinotavr. As in previous years, guests include directors, producers and actors who come to London specially to present their films at the festival. Documentaries – 'Noughties Art' This year's documentary programme sums up the last decade with screenings of the ten best Russian documentary films, one for each year. The programme is presented by the great director and documentary maker, Vitaly Mansky, president of the ArtDocFest. Animation Alongside the main programme and documentaries, we have also put together a comprehensive and diverse programme of animation. As part of our festival 'Astral dogs Belka and Strelka' take a trip to outer space captained by director Inna Evlannikova, while Irina Evteeva, famous for her graceful and original style, brings 'Little Tragedies' to the screen. These films will capture the hearts of adults and childen alike. As well as an extensive programme of full length animation, we will be screening a special programme for our young audiences, presenting the best of award-winning Russian animated films of recent years Special Screenings This year's film festival also includes a retrospective of the great actor and director Sergei Bondarchuk's films and the works of Leo Tolstoy on film, as well as a retrospective of masters of Soviet and Russian animation. Venue For the fourth year in a row the Russian Film Festival will take place at the Apollo Piccadilly, one of London's best cinemas.

The first Russian stand at BookExpo America New York, 25 - 27 May 2010 This year the BOOKS FROM RUSSIA stand took part in BookExpo America, the main fair in the American book industry. The stand was organised by the Russian Federal agency for Press and Mass Communications and represented a range of Russian publishers. BookExpo America is currently undergoing major changes, transforming itself from a fair which focused primarily on the domestic market into an international book forum.

AWARD FOR EXCELLENCE IN RUSSIAN TO ENGLISH LITERARY TRANSLATION We are delighted to announce that entries for the Rossica Translation Prize 2011 are now open. The Rossica Prize is the only prize awarded for the best new translation of a high-quality Russian literary work into English. Literary work must be written in Russian by any author, present or past, and published in English in 2009 and 2010. The prize is open to works published in any country. The value of the prize is £5,000 divided between the winning translator and the publisher.

Sunday 30 May, 5pm, Apollo Cinema
Immerse yourself in the world of surrealist Russian animation! On this very special Sunday evening we will be holding a one off screening of spectacular new Russian award-winning animations, presented by the famous Russian writer, Dmitry Bykov. The animations are based on stories by some of Russia’s wittiest writers, such as Chekhov, Krzhizhanovsky, Mayakovsky and Kharms, and include the Nika prize

9 May is a very special day – Victory Day. It is particularly special for Russia, since of all countries it paid the heaviest price for its own freedom and for the freedom of other countries from fascism. This is our common victory. It became possible only thanks to the joint efforts of all allies and the struggle of those who fought against fascism in their own countries. On this day we celebrate life and freedom and commemorate those who gave up their lives for us during the World War II.

Yume Pictures and Academia Rossica are delighted to invite you to a special screening of the film 'A Room and a Half' at 8pm on 10 May at Cine Lumière, South Kensington, London, SW7 2DT, followed by Q&A with director Andrey Khrzhanovsky and actress Alisa Freyndlikh. It is a beautifully mesmerising film based on the life of the Russian poet Joseph Brodsky.

Boris Ryzhy Director Aliona van der Horst NETHERLANDS/2008/BETACAM/COLOUR/59 MIN/RUSSIAN ENGLISH SUBTITLES Prize-winning documentary film by Aliona van der Horst about Russian poet Boris Ryzhy "All of my poems speak only of love and death," wrote Russian poet Boris Ryzhy (1974-2001) in 2000. "But all the same, I'm happy with my wife and son." One year later, the charming young tough, who had already achieved considerable literary renown, hanged himself-in so doing following in the footsteps of many Russian artists before him. The author of a thousand poems and recipient of Russia's most prestigious literary prize, he was only 26 years old. Trying to understand what drove him to suicide, van der Horst uncovers the hidden drama of the entire perestroika generation, for which Boris Ryzhy was the standard bearer. "We were deprived of communism without being given access to capitalism," explains his widow. The perestroika years of the Yeltsin era, a time that we in the West associate with democracy and freedom, have an entirely different meaning in the anarchic streets of Yekaterinenburg, the industrial city where Ryzhy grew up and which so marked his life and work. However, despite this dark reality, Ryzhy's love of life is what comes to the fore in van der Horst's poetic film: through his work, pain is transformed into grace.

Interpreting for the Russian guests at the LBF and SLOVO festival For those interested in offering their professional translation skills during the London Book Fair and the SLOVO festival, ACADEMIA ROSSICA will have a series of events and seminars where interpreters will be needed in order for Russian and UK guests to communicate with each other. This is an excellent opportunity for professional translators to play an involved and encouraging role in the development of future publishing projects that will lead to the further promotion and distribution of Russian literature in the English speaking world. To register as an interpreter, please contact Rodrigo@academia-rossica.org by 15th April.

ACADEMIA ROSSICA's aim is to bring writers, publishers and translators together and to help create structures to support the publication and distribution of Russian literature in the English speaking world. The Translators Day will be a key element of this project, which will set the ground for a stronger recognition and promotion of literary translation from Russian into English. 10.30 – 11.30 PEN Café, EC2 Rossica Translation Prize, Young Translators Prize award. A special Rossica Translation award to Stanley Mitchell 11.30 –12.00 BFR, Y455 Russkiy Mir Translation Grants Presentation 12.00 – 13.00 BFR, Y455 Roundtable: Translating Russia 13.30 –14.30 BFR, Y455 Presentation: Famous Englishmen, Known Only in Russia Presentation: Misreading English Literature – A few true stories from Soviet translations 15.00 – 15.30 BFR, Y455 New Millennium Prize Award. Winner - Mary Hobson, poet and translator. 16.00 – 16.30 PEN Café, EC2 Market Focus Handover Ceremony, Champagne Reception Interpreting for the Russian guests at the LBF and SLOVO festival For those interested in offering their professional translation skills during the London Book Fair, ACADEMIA ROSSICA will have a series of events and seminars where interpreters will be needed in order for Russian and UK guests to communicate with each other. This an excellent opportunity for professional translators to play an involved and encouraging role in the development of future publishing projects that will lead to the further promotion and distribution of Russian literature in the English speaking world. To register as an interpreter, please contact Rodrigo@academia-rossica.org by 15th April.

The Debut Prize was instituted in 2000 by State Duma Deputy Andrei Skoch, creator of the humanitarian foundation Pokolenie (Generation). Skoch originally conceived of Pokolenie as a medical charity to help provincial Russian clinics, sick children and pensioners. The Debut, Pokolenie’s only cultural project to date, has become a prize of national renown. The Debut has a strict age limit: entrants may not be over the age of 25. Members of the Russian literary establishment were skeptical at first. They doubted that writers so young would have something to say to readers. Young writers might try their hand at poetry, they argued, but they didn’t have enough life experience to write a story or a novel. However, the Debut has shown that a person’s life experience at any age is complete in and of itself. What a person knows about the world at 20 has been forgotten by the time he is 30. What he could have written at 20 he will no longer write at 30. He will write something else. Strangely enough, most writers live without their first book: it remains in their minds, in drafts. The Debut inspires young Russian writers to complete that first book. The Debut prompts them to commit to literature their unique experience, what might be described as the shock of their first encounter with grown-up life. Not just their new existential status, but daily events. Suddenly a person is faced with bank applications, having to pay rent and buy insurance; no one will fill out the forms for him, no one will answer for him. And he suddenly feels horribly alone in the world. This sort of loneliness, like any other, has a huge creative potential. The Debut brings in the first literary harvest of the writing generation — and it does so every year. 2010 marks the first year of Debut’s international program. Funded by Pokolenie, the program aims to present the works of Debut finalists and winners to the foreign reader. Collections of these works will be translated and their authors will be sent to international book fairs and festivals. This year’s collection appears in English and Chinese. Future collections will be brought out in French, German, Italian, Spanish, Japanese, and so on. Since the number of Debut finalists and winners is only increasing, as is their level and mastery, publication of their works in English will continue.

Maria Galina is one of the most interesting authors among those who made their names in the turbulent 1990s. She writes both literary and science fiction (with ten SF books to her credit). She is also a noted poet, a thoughtful critic, and translator of English and American science fiction, in all of which she excels. She is a winner of many important prizes for her prose and poetry and her critical essays.

Dmitry Bykov was born in Moscow in 1967. He studied at Moscow State University's Faculty of Journalism, and journalism is something he remains engaged with: he regularly produces articles, essays and reviews for the leading Russian newspapers and magazines. He has senior editorial positions in various publications, hosts a weekly radio show and appears regularly on Russian TV.

Dmitry Bykov was born in Moscow in 1967. He studied at Moscow State University's Faculty of Journalism, and journalism is something he remains engaged with: he regularly produces articles, essays and reviews for the leading Russian newspapers and magazines. He has senior editorial positions in various publications, hosts a weekly radio show and appears regularly on Russian TV.

Maria Galina is one of the most interesting authors among those who made their names in the turbulent 1990s. She writes both literary and science fiction (with ten SF books to her credit). She is also a noted poet, a thoughtful critic, and translator of English and American science fiction, in all of which she excels. She is a winner of many important prizes for her prose and poetry and her critical essays.

3rd RUSSIAN FILM FESTIVAL 30 October – 8 November 2009 Apollo Piccadilly, London T: 0871 220 6000 Academia Rossica is proud to present 10 UK premieres of award-winning Russian films produced in. All films with English subtitles. Programme director: Andrey Plakhov, President of FIPRESCI. The festival opens on 30 October with a new adaptation of Anna Karenina by one of Russia’s most defiant film directors, Sergei Soloviev. The film took 14 years to make and it is part of Soloviev’s trilogy ASSA (1987) – ASSA-2 (2009) – Anna Karenina (2009). Full programme of the Festival:

Now in its second year, the Rossica Young Translators Prize is hard on the heels of the success of the main Rossica Prize. Through this prize we would like to encourage young people under 25 who are passionate about Russia, literature and translation to enter into the world of professional literary translation. We hope that this award will help to nurture a new generation of Russian to English literary translators, as well as further cultural dialogue between Russia and the English-speaking world. The Winner will be announced on 21 April at the London Book Fair. The winning translator will receive £500 and the opportunity to travel to Moscow to take part in a Translators' Congress in September 2010. All shortlisted translators will be invited to a special programme of events at the London Book Fair and introduced to writers and publishers. If you would like to take part in this competition, please translate one of the three extracts in this brochure. They are taken from new novels written by Russia’s foremost contemporary novelists: Leonid Yuzefovich’s “Журавли и карлики”, Mikhail Shishkin’s “Письмовник”, and Viktor Pelevin's "t". The deadline for submission is 1 April. The translations will be judged by prominent translators and winners of the Rossica Prize – Robert Chandler, Amanda Love Darragh and Oliver Ready. It is an exciting opportunity for young translators to enter into the professional world of literary translation.

In order to prepare Russia’s participation as Market Focus Country two steering committees have been set up - in London and in Moscow. The first London steering committee was held at the Russian Embassy in London on 9 November 2009. It was chaired by Mr Alistair Burtenshaw, Director of The London Book Fair.

28 June, 14.00-23.00
Conway Hall, Red Lion Square, WC1R 4RL
A day of Russian culture to celebrate the year of youth. There will be a screening of the film 'Peter FM' with English subtitles at 14.00 followed by an art workshop, a quiz, a concert from participants in the Russian Song Contest 2009 and then live Russian music and a food and drinks buffet.

19-21 June
London Review Bookshop
One of our aims has been to place the translator centre stage (the programme features works translated from Arabic, Chinese, Croatian, French and Russian) and we are fortunate that this year’s winning translator of the Independent Foreign Fiction Prize, Anne McLean, is taking part in the panel discussion with three other eminent translators: her English language edition of Evelio Rosero’s The Armies was launched at the bookshop last October.

Red Pyramid
Russian Literature from the 21st Century
In this literary edition of ROSSICA, we are delighted to present the first English translations of new works by nine leading Russian writers. ROSSICA 19 introduces their work through extracts from six novels, recently published in Russia, and three short stories especially written for this anthology.

I was delighted and astonished when I received the invitation to be one of the judges of this year’s ‘Rossica’ Translation Prize. Delighted – because, by accepting, I would be able to indulge myself with a clear conscience in reading (or, as it often turned out, rereading) many works of Russian literature rather than doing what I all too often do – reading works about Russian literature (and various other things). Astonished – because I am not a prolific or high-profile translator of Russian literature, so I was unsure about why I had been chosen. However, not being known for false modesty, I did feel that I was reasonably well qualified for the work ahead.

Izbavi Bog i nas ot etakikh sudei

A few weeks ago something strange happened. Someone sent me, through the post, ten million printed words – I’ll repeat that, in case you weren’t concentrating: ten million words – nearly half of them in a difficult foreign language. I was told to get reading them.

3rd RUSSIAN FILM FESTIVAL 30 October – 8 November 2009 Apollo Piccadilly, London T: 0871 220 6000 Academia Rossica is proud to present 10 UK premieres of award-winning Russian films produced in. All films with English subtitles. Programme director: Andrey Plakhov, President of FIPRESCI. The festival opens on 30 October with a new adaptation of Anna Karenina by one of Russia’s most defiant film directors, Sergei Soloviev. The film took 14 years to make and it is part of Soloviev’s trilogy ASSA (1987) – ASSA-2 (2009) – Anna Karenina (2009). Full programme of the Festival:

Along with the 45 Indian authors arriving in London next week to take part in the book fair's India programme will be a smaller touring party of Russian writers. Like the Indian promotion, Russian Literature Week is based at the fair but also takes in central London - there are nightly discussions with authors at Waterstone's, Piccadilly, starting on Monday - and events around the country.

Along with the 45 Indian authors arriving in London next week to take part in the book fair's India programme will be a smaller touring party of Russian writers. Like the Indian promotion, Russian Literature Week is based at the fair but also takes in central London - there are nightly discussions with authors at Waterstone's, Piccadilly, starting on Monday - and events around the country.

The first day ended with an evening with Dmitry Bykov and Bridget Kendall at Waterstone’s, Piccadilly. Bykov entertained the large audience with, along with everything else, a joke. It went like this: “At birth you get a label put on your arm, after death, it’s put on your foot. If someone gets the same number both times, they win a prize – a pressure cooker.”

Maria Galina is one of the most interesting authors among those who made their names in the turbulent 1990s. She writes both literary and science fiction (with ten SF books to her credit). She is also a noted poet, a thoughtful critic, and translator of English and American science fiction, in all of which she excels. She is a winner of many important prizes for her prose and poetry and her critical essays.

Bykov's literary output is voluminous. He has published eight novels, biographies of Pasternak and Bulat Okudjava, several collections of short stories, three volumes of essays and eight collections of poetry. His biography of Pasternak won the National Bestseller Prize and the 2007 Big Book Prize and was a critical and commercial hit, enjoying three print runs.

Maria Galina is one of the most interesting authors among those who made their names in the turbulent 1990s. She writes both literary and science fiction (with ten SF books to her credit). She is also a noted poet, a thoughtful critic, and translator of English and American science fiction, in all of which she excels. She is a winner of many important prizes for her prose and poetry and her critical essays.

The Beanpole Publishing House was created as a subsidiary of the famous St. Petersburg publishers ‘Signs’. They provide a broad range of publishing services and specialise in the publication of fine art albums and Russian and English catalogues of contemporary Russian orthodox icons. The Beanpole Publishing House collaborates with authors and collectors.

Mikhail Shishkin was born in 1961 and grew up in Moscow. He studied at the Moscow State Pedagogical Institute where he trained as a teacher. Following his graduation in 1982, Shishkin worked as a journalist at ‘Rovesnik’ and then, between 1985 and 1995, as a teacher of English and German. In 1995 he moved to Switzerland and he lives in Zurich to this day. Buoyed by Shishkin’s sophisticated language and phrases of unique melody, predictable comparisons have been made to that other writer of extraordinary linguistic versatility, Vladimir Nabokov. Though he understands himself as within a tradition of Russian writers in exile, for Shishkin, the question ‘to return or not to return to Russia’ simply does not exist. He asserts that ‘for a better understanding of the self one should live everywhere’.

Maria Galina is one of the most interesting authors among those who made their names in the turbulent 1990s. She writes both literary and science fiction (with ten SF books to her credit). She is also a noted poet, a thoughtful critic, and translator of English and American science fiction, in all of which she excels. She is a winner of many important prizes for her prose and poetry and her critical essays.

Dmitry Bykov was born in Moscow in 1967. He studied at Moscow State University's Faculty of Journalism, and journalism is something he remains engaged with: he regularly produces articles, essays and reviews for the leading Russian newspapers and magazines. He has senior editorial positions in various publications, hosts a weekly radio show and appears regularly on Russian TV. Bykov's literary output is voluminous. He has published eight novels, biographies of Pasternak and Bulat Okudjava, several collections of short stories, three volumes of essays and eight collections of poetry. His biography of Pasternak won the National Bestseller Prize and the 2007 Big Book Prize and was a critical and commercial hit, enjoying three print runs.

One of the most versatile of post-Soviet writers, Aleksei Slapovsky (b. 1957) has flourished in the new cultural habitat described by his narrator, A.N. Anisimov. As a novelist, Slapovsky occupies a seemingly permanent slot on the shortlists for all literary prizes; as a screenplaywriter and dramatist, he has reached millions of viewers in Russia and abroad, through his script for the sequel to Eldar Ryazanov's classic comedy, Irony of Fate (1975). All Slapovsky's creative work is of a piece, displaying a fertile tendency towards cross-‘adaptation', but the author himself attaches particular significance to his novels (the complete absence of which in English translation is as remarkable as it is distressing). They include: The First Second Coming (Pervoe vtoroe prishestvie, 1993), which adapts the Gospel narrative to the life of a provincial Russian and has been singled out by many critics for particular praise; The Day of Money: A Picaresque Novel (Den' deneg. Plutovskoi roman, 1999), set in the author's native town of Saratov, like many of Slapovsky's works; and two novels that focus on the glamourous and less than glamourous aspects of contemporary (and often criminal) Muscovite society: Quality of Life (Kachestvo zhizni, 2004, 220pp) and They (Oni, 2005). His most recent novel is The Phoenix Syndrome (Sindrom feniksa, 2007).