29 October - 7 November, Apollo Piccadilly
The 4th Russian Film starts this Friday, 29 October, featuring the best in new Russian film, documentaries and animation and opens with The Ugly Duckling, master animator Garry Bardin's sparky and affecting stop-motion animation with Orwellian overtones. All films are shown in Russian with English subtitles.

Diaghilev fever is taking London by storm. The V&A's major exhibition 'Diaghilev and the Golden Age of the Ballets Russes, 1909-1929' reveals Diaghilev's enduring influence on 20th-century art, design and fashion. The V&A is also holding a number of other Diaghilev themed events, including 'The Music of Diaghilev with the Philharmonia Orchestra' and 'Rephrasing the Ballets Russes', in collaboration with the English National Ballet. And the perfect accompaniment to this year's season of Diaghilev events is Sjeng Scheijen's new biography of the arguably the greatest (and most controversial) impresario of all time.

A firm believer that architects should be gardeners not morticians enshrouding a city in cement, David Sarkisyan, Director of the Shchusev Museum of Architecture in Moscow, has been featured in the new issue of the Russia Now supplement to the Daily Telegraph, published today. Under David Sarkisyan's administration, the Shchusev museum became the centre of Moscow’s architectural and artistic life and now his old office is a memorial of his life's work.

Academia Rossica and the Federal Agency for Press and Mass Communication invite you to take part in a competition to think up a slogan for the Russian stand and for the Russia Market Focus programme at the London Book Fair 2010.
We need your help to come up with a biright, contemporary and effective slogan which will place Russian literature and the Russian publishing industry at one of the most prestigious international publishing forums. The slogan will be used at the Russian stand on all marketing material - press releases, brochures, banners, etc.

The International Lounge at the Moscow International Book Fair is a space where the Russian publishing world can form links with the international book industry. Alongside the extensive programme of seminars and roundtables, it is a place for networking and deals, as well as being an information centre on international collaboration. The International Lounge is organised by Academia Rossica with the support from the Federal Agency for Press and Mass Communication and the Moscow International Book Fair. The programme of seminars and presentations is focused on the preparation for Russia Market Focus at the London Book Fair 2011.

4th Russian Film Festival, 29 October – 7 November Dear Friends! The Russian Film Festival is getting ready to present London with this year's best premieres in Russian cinema. The Main Programme As always, the main festival programme showcases the best Russian films, award-winners at major international and Russian film festivals. These films include, 'Silent Souls' (Ovsyanki), directed by Alexei Fedorchenko and winner of three prizes at the Venice Film Festival, 'How I Ended This Summer' by Alexei Popogrebsky, awarded prizes for best actor and best cinematography at the Berlinale, 'One War' by Vera Glagoleva, Grand Prix winner at Sofia International Film Festival and Russia's nomination for the Oscars and Svetlana Proscurina's latest film 'The Truce', winner of the main prize at Kinotavr. As in previous years, guests include directors, producers and actors who come to London specially to present their films at the festival. Documentaries – 'Noughties Art' This year's documentary programme sums up the last decade with screenings of the ten best Russian documentary films, one for each year. The programme is presented by the great director and documentary maker, Vitaly Mansky, president of the ArtDocFest. Animation Alongside the main programme and documentaries, we have also put together a comprehensive and diverse programme of animation. As part of our festival 'Astral dogs Belka and Strelka' take a trip to outer space captained by director Inna Evlannikova, while Irina Evteeva, famous for her graceful and original style, brings 'Little Tragedies' to the screen. These films will capture the hearts of adults and childen alike. As well as an extensive programme of full length animation, we will be screening a special programme for our young audiences, presenting the best of award-winning Russian animated films of recent years Special Screenings This year's film festival also includes a retrospective of the great actor and director Sergei Bondarchuk's films and the works of Leo Tolstoy on film, as well as a retrospective of masters of Soviet and Russian animation. Venue For the fourth year in a row the Russian Film Festival will take place at the Apollo Piccadilly, one of London's best cinemas.

We are excited to tell you that Maria Galina's book ‘On Two Feet’ made top ten poetical collections in 2009 according to Moskovski Schyot (The Moscow Tally) literary prize. The overall winner of the prize will be named tomorrow on Friday at the 5th Moscow International Book Festival, one hour before Maria will appear at Apollo cinema in London to read her poetry at the event organised by Academia Rossica. We congratulate Maria with this huge achievement and keep our fingers crossed that she takes the first prize.

Thursday 10 June, 8.30pm, Ciné lumière
Winner, Best Music for Film and Best Sound, César Awards 2010
Thirty years ago, Andrei Simoniovich Filipov (Aleksei Guskov) was the celebrated conductor of the renowned Bolshoi Orchestra. But during the communist era, he was fired at the height of his fame for refusing to get rid of all his Jewish musicians. Now demoted to the position of cleaner at the Bolshoi, he learns by chance that the Châtelet Theatre in Paris has invited the Orchestra to perform there. Andrei decides to reunite his orchestra and to perform in Paris in the place of the current Bolshoi Orchestra.

Monday 7 June, 7pm
Kenneth Clark Lecture Theatre Courtauld Institute, Somerset House
Chaired by Elaine Feinstein
The Bolshevik Revolution produced a mass exodus of Russia’s aristocracy and educated bourgeoisie. In the years following 1917 many of Russia’s most talented writers, artists, composers, scientists, professionals,

Academia Rossica celebrates the 65th anniversary of the Victory together with the whole world and with all Russia. We have decided to put together a few links that we think help us to remember the importance of this day for humanity.

9 May is a very special day – Victory Day. It is particularly special for Russia, since of all countries it paid the heaviest price for its own freedom and for the freedom of other countries from fascism. This is our common victory. It became possible only thanks to the joint efforts of all allies and the struggle of those who fought against fascism in their own countries. On this day we celebrate life and freedom and commemorate those who gave up their lives for us during the World War II.

On 19 – 25 April ACADEMIA ROSSICA will bring you SLOVO, the Russian Literature Festival that knows no boundaries. Packed with a kaleidoscope of genre-defying events, SLOVO will offer a unique insight into Russian literary culture, presenting not only the foremost contemporary Russian writers and highly opinionated public figures, such as Dmitry Bykov, Sergei Lukyanenko, Olga Slavnikova, Maria Galina and Vladimir Sharov, but also cutting edge young writers and poets from right across Russia’s eleven time zones. This year’s festival sees a particular focus on fantasy and magical realism. Lukyanenko’s 'Night Watch' series clearly comes under this genre, but ‘Living Souls’ by Dmitry Bykov,‘2017’ by Olga Slavnikova and ‘Iramifications’ by Maria Galina, all newly published in English, have also been influenced by this notable undercurrent of Russian writing. Our authors will present their new books in light of this genre, which has its roots in the 19th and 20th century literary greats, Gogol, Bulgakov, Zamyatin and Platonov, while Lev Danilkin, literary critic and ‘Afisha’ columnist will explore why Russian literature has a tendency to look at reality through a prism of the unreal. In addition to events with established authors, SLOVO will introduce Russia’s newest literary voices. Olga Slavnikova, herself an award-winning writer, is the coordinator of Russia’s prestigious Debut prize for young writers and will present six Debut prize winners at this year’s festival, including three of Russian literature’s rising stars, Polina Klyukina from Perm, Alisa Ganieva from Dagestan and Alexander Gritsenko from Astrakhan. Key to this festival is the belief that literature can act as an instrument of social and political change and can help to bring two cultures together. For this reason SLOVO will coincide with the London Book Fair, where ties between the Russian and British publishing industry have already been strengthened by naming Russia Guest of Honour and Market Focus of the London Book Fair 2011. SLOVO will continue in this spirit with unique collaborative events between Russian and British poets, as well as providing numerous opportunities for cross-cultural discussions. Indeed, as the slogan ‘WORDS IN ACTION’ may suggest, SLOVO is not just about the written word. Film also plays an important part in this year’s festival. SLOVO will hold the first ever screening of Russian underground video poetry in the UK and the London premiere of Aliona Van der Horst’s hauntingly beautiful film on poet Boris Ryzhy. SLOVO’s broad spectrum of events will be held across several venues, Waterstones Piccadilly, Waterstones Hampstead, The Calvert 22 Gallery and the Apollo cinema. Come and join us for this un-missable chance to witness literature in transition!

Tolstoy's spirit returns to ancient lands: James Meek finds the power that Count Leo Tolstoy still holds over Russia's soul beating strongly in the heart of the novelist's great great grandson - the new director of his old estate, Yasnaya Polyana

Boris Ryzhy Director Aliona van der Horst NETHERLANDS/2008/BETACAM/COLOUR/59 MIN/RUSSIAN ENGLISH SUBTITLES Prize-winning documentary film by Aliona van der Horst about Russian poet Boris Ryzhy "All of my poems speak only of love and death," wrote Russian poet Boris Ryzhy (1974-2001) in 2000. "But all the same, I'm happy with my wife and son." One year later, the charming young tough, who had already achieved considerable literary renown, hanged himself-in so doing following in the footsteps of many Russian artists before him. The author of a thousand poems and recipient of Russia's most prestigious literary prize, he was only 26 years old. Trying to understand what drove him to suicide, van der Horst uncovers the hidden drama of the entire perestroika generation, for which Boris Ryzhy was the standard bearer. "We were deprived of communism without being given access to capitalism," explains his widow. The perestroika years of the Yeltsin era, a time that we in the West associate with democracy and freedom, have an entirely different meaning in the anarchic streets of Yekaterinenburg, the industrial city where Ryzhy grew up and which so marked his life and work. However, despite this dark reality, Ryzhy's love of life is what comes to the fore in van der Horst's poetic film: through his work, pain is transformed into grace.

Interpreting for the Russian guests at the LBF and SLOVO festival For those interested in offering their professional translation skills during the London Book Fair and the SLOVO festival, ACADEMIA ROSSICA will have a series of events and seminars where interpreters will be needed in order for Russian and UK guests to communicate with each other. This is an excellent opportunity for professional translators to play an involved and encouraging role in the development of future publishing projects that will lead to the further promotion and distribution of Russian literature in the English speaking world. To register as an interpreter, please contact Rodrigo@academia-rossica.org by 15th April.

ACADEMIA ROSSICA's aim is to bring writers, publishers and translators together and to help create structures to support the publication and distribution of Russian literature in the English speaking world. The Translators Day will be a key element of this project, which will set the ground for a stronger recognition and promotion of literary translation from Russian into English. 10.30 – 11.30 PEN Café, EC2 Rossica Translation Prize, Young Translators Prize award. A special Rossica Translation award to Stanley Mitchell 11.30 –12.00 BFR, Y455 Russkiy Mir Translation Grants Presentation 12.00 – 13.00 BFR, Y455 Roundtable: Translating Russia 13.30 –14.30 BFR, Y455 Presentation: Famous Englishmen, Known Only in Russia Presentation: Misreading English Literature – A few true stories from Soviet translations 15.00 – 15.30 BFR, Y455 New Millennium Prize Award. Winner - Mary Hobson, poet and translator. 16.00 – 16.30 PEN Café, EC2 Market Focus Handover Ceremony, Champagne Reception Interpreting for the Russian guests at the LBF and SLOVO festival For those interested in offering their professional translation skills during the London Book Fair, ACADEMIA ROSSICA will have a series of events and seminars where interpreters will be needed in order for Russian and UK guests to communicate with each other. This an excellent opportunity for professional translators to play an involved and encouraging role in the development of future publishing projects that will lead to the further promotion and distribution of Russian literature in the English speaking world. To register as an interpreter, please contact Rodrigo@academia-rossica.org by 15th April.

Video poetry is a new phenomena in the contemporary Russian arts scene. In today’s world, media has no limits - information is mixed together with a myriad of fast, dynamic images, and punchy sounds. Video poetry has incorporated these elements that are all around us and used them to create a new art form which has become extremely popular in Russia during the last couple of years. Leading experimental poets and film directors, including Kirill Serebrennikov and Valeria Gai Germanika, amongst others, have come together to create films based on poems read by the poets themselves. The performances are also strongly influenced by European artists of the 70s and 80s, such as Gianni Toti, Richard Kostelanetz, Arnaldo Antunes and Caterina Davinio, whose experimental work was considered arthouse and cutting edge thirty years ago, but seems to strike a chord with the world we live in today. In our culture of multi-media, the merging of poetry, music and film feels only natural. ACADEMIA ROSSICA will be premiering three programmes of video poetry at SLOVO literature festival. The three programmes will offer a unique opportunity to see the works of fifteen of the most important names in Russian video poetry, including Andrei Rodionov, Inna Kabysh and Alina Butokhnovskaya. Programme 1 & 3 will be screened at the Apollo Cinema, Piccadilly at 18.30 on 20 & 22 April. To book tickets, call 0871 220 6000 or go to www.apollocinemas.com Programme 2 includes readings from cutting edge contemporary Russian and British poets and takes place at Calvert 22 art gallery at 18.30. Attendance is by invitation only. These events are part of the SLOVO festival and organised in collaboration with Tom Chivers and Penned in the Margins. These programmes are curated by Andrei Rodionov, one of the leading contemporary Russian poets and Ekaterina Troepolskaya, who also curates the Piataya Noga video poetry festival.

Maria Galina is one of the most interesting authors among those who made their names in the turbulent 1990s. She writes both literary and science fiction (with ten SF books to her credit). She is also a noted poet, a thoughtful critic, and translator of English and American science fiction, in all of which she excels. She is a winner of many important prizes for her prose and poetry and her critical essays.

Dmitry Bykov was born in Moscow in 1967. He studied at Moscow State University's Faculty of Journalism, and journalism is something he remains engaged with: he regularly produces articles, essays and reviews for the leading Russian newspapers and magazines. He has senior editorial positions in various publications, hosts a weekly radio show and appears regularly on Russian TV.

Dmitry Bykov was born in Moscow in 1967. He studied at Moscow State University's Faculty of Journalism, and journalism is something he remains engaged with: he regularly produces articles, essays and reviews for the leading Russian newspapers and magazines. He has senior editorial positions in various publications, hosts a weekly radio show and appears regularly on Russian TV.

Maria Galina is one of the most interesting authors among those who made their names in the turbulent 1990s. She writes both literary and science fiction (with ten SF books to her credit). She is also a noted poet, a thoughtful critic, and translator of English and American science fiction, in all of which she excels. She is a winner of many important prizes for her prose and poetry and her critical essays.

Vladimir Grigoriev is Deputy Head of the Russian Federal Agency for the Press and Mass Communications and he is a tireless campaigner and champion of Russian literature and culture at all the world's major book fairs: he has famously said, ‘Russian literature should know no boundaries.'

3rd RUSSIAN FILM FESTIVAL 30 October – 8 November 2009 Apollo Piccadilly, London T: 0871 220 6000 Academia Rossica is proud to present 10 UK premieres of award-winning Russian films produced in. All films with English subtitles. Programme director: Andrey Plakhov, President of FIPRESCI. The festival opens on 30 October with a new adaptation of Anna Karenina by one of Russia’s most defiant film directors, Sergei Soloviev. The film took 14 years to make and it is part of Soloviev’s trilogy ASSA (1987) – ASSA-2 (2009) – Anna Karenina (2009). Full programme of the Festival:

Now in its second year, the Rossica Young Translators Prize is hard on the heels of the success of the main Rossica Prize. Through this prize we would like to encourage young people under 25 who are passionate about Russia, literature and translation to enter into the world of professional literary translation. We hope that this award will help to nurture a new generation of Russian to English literary translators, as well as further cultural dialogue between Russia and the English-speaking world. The Winner will be announced on 21 April at the London Book Fair. The winning translator will receive £500 and the opportunity to travel to Moscow to take part in a Translators' Congress in September 2010. All shortlisted translators will be invited to a special programme of events at the London Book Fair and introduced to writers and publishers. If you would like to take part in this competition, please translate one of the three extracts in this brochure. They are taken from new novels written by Russia’s foremost contemporary novelists: Leonid Yuzefovich’s “Журавли и карлики”, Mikhail Shishkin’s “Письмовник”, and Viktor Pelevin's "t". The deadline for submission is 1 April. The translations will be judged by prominent translators and winners of the Rossica Prize – Robert Chandler, Amanda Love Darragh and Oliver Ready. It is an exciting opportunity for young translators to enter into the professional world of literary translation.

Translate one of three extracts taken from new novels written by Russia’s foremost contemporary novelists and send us your entry by 1 April. The winning translator will receive £500 and the chance to attend a Translators' Congress In Moscow in September 2010. All under 25s, don’t let this exciting opportunity pass you by!

Coverage of Question Time at the 3rd Russian Film Festival is now up on the Academia Rossica YouTube channel. Question Time was a new event at the RFF and featured award-winning documentary maker Vitaly Mansky and leading film critic Andrei Plakhov answering pertinent questions submitted by members of the public via our website.

In order to prepare Russia’s participation as Market Focus Country two steering committees have been set up - in London and in Moscow. The first London steering committee was held at the Russian Embassy in London on 9 November 2009. It was chaired by Mr Alistair Burtenshaw, Director of The London Book Fair.

SLOVO Russian Literature Festival 19 - 25 April 2010 London and other UK cities Russian Literature Week is back for the third time, held in the same week as the London Book Fair. The aim is to highlight Russian writers and publishers, both in London and on an international scale. This year's SLOVO will also showcase the new generation of writers, exciting new poets and the fascinating culture scene of today's Russia.

26 May
Moscow
On the 26th of May, the names of the writers shortlisted for the 'Big Book' literary prize were announced. 13 authors have been shortlisted. Two of the shortlisted books were entered into the competition as manuscripts: Mariam Petrosyan's 'The House Where'and Andrei Baldin's 'The Extension of the Full Stop'.

When Academia Rossica approached me to serve on the jury for their translation prize, I was excited and intrigued. What would the field be like, how many entries would there be, were there still publishers around in the West willing to produce translations of serious Russian works? The classics apart, was there more to Russian literature for English-speaking people than penguins and historical detectives? My caricature of the average Western reader's view of Russian literature today can perhaps be excused in part by my own education.

I was delighted and astonished when I received the invitation to be one of the judges of this year’s ‘Rossica’ Translation Prize. Delighted – because, by accepting, I would be able to indulge myself with a clear conscience in reading (or, as it often turned out, rereading) many works of Russian literature rather than doing what I all too often do – reading works about Russian literature (and various other things). Astonished – because I am not a prolific or high-profile translator of Russian literature, so I was unsure about why I had been chosen. However, not being known for false modesty, I did feel that I was reasonably well qualified for the work ahead.

Izbavi Bog i nas ot etakikh sudei

A few weeks ago something strange happened. Someone sent me, through the post, ten million printed words – I’ll repeat that, in case you weren’t concentrating: ten million words – nearly half of them in a difficult foreign language. I was told to get reading them.

3rd RUSSIAN FILM FESTIVAL 30 October – 8 November 2009 Apollo Piccadilly, London T: 0871 220 6000 Academia Rossica is proud to present 10 UK premieres of award-winning Russian films produced in. All films with English subtitles. Programme director: Andrey Plakhov, President of FIPRESCI. The festival opens on 30 October with a new adaptation of Anna Karenina by one of Russia’s most defiant film directors, Sergei Soloviev. The film took 14 years to make and it is part of Soloviev’s trilogy ASSA (1987) – ASSA-2 (2009) – Anna Karenina (2009). Full programme of the Festival:

I see Russia’s future in the brightest of hues. Admittedly, this sort of statement does not befit a dystopian writer like me, who is supposed to make dire predictions, though for some what I am going to tell you will sound as bad as an anti-utopia (while I see it as an almost ideal outcome).

6 June
£110 / £165 (with dining)
This year, the 14th Russian Summer Ball will be held in London's historical and exclusive venue the Banqueting House, Whitehall Palace. With complimentary Ballroom drinks all night, breakfast canapés and ballroom dancing to The Coldstream Guards. Proceeds from the event will benefit The Romanov Fund for Russia.

I see Russia’s future in the brightest of hues. Admittedly, this sort of statement does not befit a dystopian writer like me, who is supposed to make dire predictions, though for some what I am going to tell you will sound as bad as an anti-utopia (while I see it as an almost ideal outcome).

The first day ended with an evening with Dmitry Bykov and Bridget Kendall at Waterstone’s, Piccadilly. Bykov entertained the large audience with, along with everything else, a joke. It went like this: “At birth you get a label put on your arm, after death, it’s put on your foot. If someone gets the same number both times, they win a prize – a pressure cooker.”

A hallmark of Shtypel's poetry is its lyrical playfulness matching a complex structure - demanding from the reader an active, if constrained, co-operation. Vladimir Gubailovsky of ‘Русский журнал' (‘Russian Journal') has said of Stypel that ‘he is, above all else, clear. This does not mean,' Gubailovsky continues, ‘that his verse is in any way basic - in fact quite the contrary. What really stays with you after reading Shtypel is a sense of poetic clarity'.

Maria Galina is one of the most interesting authors among those who made their names in the turbulent 1990s. She writes both literary and science fiction (with ten SF books to her credit). She is also a noted poet, a thoughtful critic, and translator of English and American science fiction, in all of which she excels. She is a winner of many important prizes for her prose and poetry and her critical essays.

Bykov's literary output is voluminous. He has published eight novels, biographies of Pasternak and Bulat Okudjava, several collections of short stories, three volumes of essays and eight collections of poetry. His biography of Pasternak won the National Bestseller Prize and the 2007 Big Book Prize and was a critical and commercial hit, enjoying three print runs.

Maria Galina is one of the most interesting authors among those who made their names in the turbulent 1990s. She writes both literary and science fiction (with ten SF books to her credit). She is also a noted poet, a thoughtful critic, and translator of English and American science fiction, in all of which she excels. She is a winner of many important prizes for her prose and poetry and her critical essays.

Mario has published numerous poetry books and pamphlets, including: Shrapnel and Sheets, Bosco, Heavy Water, Half Life, Fearnought (poems for Southwell Workhouse), along with translations of Catullus, Sappho and Montale. Lepidoptera is a hybrid book of long poetry and short prose, while his illustrated collection The Stamina of Sheep (the unique result of an innovative public and educational arts project for Havering, the Thames and Essex) captured the Essex Book Award for Best Fiction Publication (2000-2002). Flowers of Sulphur was published in 2007. Mario is currently working on two further collections, Monte Cassino and i tulips.