29 October - 7 November, Apollo Piccadilly
The 4th Russian Film starts this Friday, 29 October, featuring the best in new Russian film, documentaries and animation and opens with The Ugly Duckling, master animator Garry Bardin's sparky and affecting stop-motion animation with Orwellian overtones. All films are shown in Russian with English subtitles.

5 –23 October
Celebrating Anton Chekhov's 150th Birthday, Caroline Blakiston performs her play at the Jermyn Street Theatre. Black Bread and Cucumber is Caroline Blakiston's acclaimed one-woman show about how she made history as the first British actress to play Chekhov in Russia, in Russian! Black Bread and Cucumber was written during 1992-3, following Caroline Blakiston’s unique experience playing Charlotta in The Cherry Orchard in Russia. She was the first English actress to play Chekhov in Russia in Russian.

4th Russian Film Festival, 29 October – 7 November Dear Friends! The Russian Film Festival is getting ready to present London with this year's best premieres in Russian cinema. The Main Programme As always, the main festival programme showcases the best Russian films, award-winners at major international and Russian film festivals. These films include, 'Silent Souls' (Ovsyanki), directed by Alexei Fedorchenko and winner of three prizes at the Venice Film Festival, 'How I Ended This Summer' by Alexei Popogrebsky, awarded prizes for best actor and best cinematography at the Berlinale, 'One War' by Vera Glagoleva, Grand Prix winner at Sofia International Film Festival and Russia's nomination for the Oscars and Svetlana Proscurina's latest film 'The Truce', winner of the main prize at Kinotavr. As in previous years, guests include directors, producers and actors who come to London specially to present their films at the festival. Documentaries – 'Noughties Art' This year's documentary programme sums up the last decade with screenings of the ten best Russian documentary films, one for each year. The programme is presented by the great director and documentary maker, Vitaly Mansky, president of the ArtDocFest. Animation Alongside the main programme and documentaries, we have also put together a comprehensive and diverse programme of animation. As part of our festival 'Astral dogs Belka and Strelka' take a trip to outer space captained by director Inna Evlannikova, while Irina Evteeva, famous for her graceful and original style, brings 'Little Tragedies' to the screen. These films will capture the hearts of adults and childen alike. As well as an extensive programme of full length animation, we will be screening a special programme for our young audiences, presenting the best of award-winning Russian animated films of recent years Special Screenings This year's film festival also includes a retrospective of the great actor and director Sergei Bondarchuk's films and the works of Leo Tolstoy on film, as well as a retrospective of masters of Soviet and Russian animation. Venue For the fourth year in a row the Russian Film Festival will take place at the Apollo Piccadilly, one of London's best cinemas.

Sunday 30 May, 5pm, Apollo Cinema
Immerse yourself in the world of surrealist Russian animation! On this very special Sunday evening we will be holding a one off screening of spectacular new Russian award-winning animations, presented by the famous Russian writer, Dmitry Bykov. The animations are based on stories by some of Russia’s wittiest writers, such as Chekhov, Krzhizhanovsky, Mayakovsky and Kharms, and include the Nika prize

ACADEMIA ROSSICA's aim is to bring writers, publishers and translators together and to help create structures to support the publication and distribution of Russian literature in the English speaking world. The Translators Day will be a key element of this project, which will set the ground for a stronger recognition and promotion of literary translation from Russian into English. 10.30 – 11.30 PEN Café, EC2 Rossica Translation Prize, Young Translators Prize award. A special Rossica Translation award to Stanley Mitchell 11.30 –12.00 BFR, Y455 Russkiy Mir Translation Grants Presentation 12.00 – 13.00 BFR, Y455 Roundtable: Translating Russia 13.30 –14.30 BFR, Y455 Presentation: Famous Englishmen, Known Only in Russia Presentation: Misreading English Literature – A few true stories from Soviet translations 15.00 – 15.30 BFR, Y455 New Millennium Prize Award. Winner - Mary Hobson, poet and translator. 16.00 – 16.30 PEN Café, EC2 Market Focus Handover Ceremony, Champagne Reception Interpreting for the Russian guests at the LBF and SLOVO festival For those interested in offering their professional translation skills during the London Book Fair, ACADEMIA ROSSICA will have a series of events and seminars where interpreters will be needed in order for Russian and UK guests to communicate with each other. This an excellent opportunity for professional translators to play an involved and encouraging role in the development of future publishing projects that will lead to the further promotion and distribution of Russian literature in the English speaking world. To register as an interpreter, please contact Rodrigo@academia-rossica.org by 15th April.

Video poetry is a new phenomena in the contemporary Russian arts scene. In today’s world, media has no limits - information is mixed together with a myriad of fast, dynamic images, and punchy sounds. Video poetry has incorporated these elements that are all around us and used them to create a new art form which has become extremely popular in Russia during the last couple of years. Leading experimental poets and film directors, including Kirill Serebrennikov and Valeria Gai Germanika, amongst others, have come together to create films based on poems read by the poets themselves. The performances are also strongly influenced by European artists of the 70s and 80s, such as Gianni Toti, Richard Kostelanetz, Arnaldo Antunes and Caterina Davinio, whose experimental work was considered arthouse and cutting edge thirty years ago, but seems to strike a chord with the world we live in today. In our culture of multi-media, the merging of poetry, music and film feels only natural. ACADEMIA ROSSICA will be premiering three programmes of video poetry at SLOVO literature festival. The three programmes will offer a unique opportunity to see the works of fifteen of the most important names in Russian video poetry, including Andrei Rodionov, Inna Kabysh and Alina Butokhnovskaya. Programme 1 & 3 will be screened at the Apollo Cinema, Piccadilly at 18.30 on 20 & 22 April. To book tickets, call 0871 220 6000 or go to www.apollocinemas.com Programme 2 includes readings from cutting edge contemporary Russian and British poets and takes place at Calvert 22 art gallery at 18.30. Attendance is by invitation only. These events are part of the SLOVO festival and organised in collaboration with Tom Chivers and Penned in the Margins. These programmes are curated by Andrei Rodionov, one of the leading contemporary Russian poets and Ekaterina Troepolskaya, who also curates the Piataya Noga video poetry festival.

When Academia Rossica approached me to serve on the jury for their translation prize, I was excited and intrigued. What would the field be like, how many entries would there be, were there still publishers around in the West willing to produce translations of serious Russian works? The classics apart, was there more to Russian literature for English-speaking people than penguins and historical detectives? My caricature of the average Western reader's view of Russian literature today can perhaps be excused in part by my own education.

Alexander Arkhangelsky was born in Moscow in 1962. He graduated in pedagogy and wrote a dissertation about Pushkin. At different times he has been a radio-journalist, written for literary journals and political newspapers, and has taught.

By Maria Levina
"Distribution remains the biggest issue," said director Mikhail Kalatozishvili, whose film "Wild Field" was presented at the Kinotavr festival in Sochi in June and at the Russian Film Festival in London late last month. "We still have only about 1,500 modern screens, and although this number is increasing it will be a few years before there are enough theaters to show many of the films produced."

25 November 2008
Moscow
Vladimir Makanin was awarded first prize for his novel 'Asan'. Liudmila Saraskina received second prize for her bibliography of Alexander Solzhenitsyn, and Rustam Rakhmatulin was presented with third prize for his collection of essays entitled 'Two Moscows, or the Metaphysics of the Capital'.

May 2008
Cannes, France
It seems that for Russian cinema, good things come in threes: the Russian film industry suitably showcased at the first ever Russian film pavilion; leading Russian production and distribution companies present their best creations at the International Marché du Film; and stunning triumphs for first-time feature film directors Sergei Dvortsevoy and Valeria Gai-Germanika!

By Maria Levina
"Distribution remains the biggest issue," said director Mikhail Kalatozishvili, whose film "Wild Field" was presented at the Kinotavr festival in Sochi in June and at the Russian Film Festival in London late last month. "We still have only about 1,500 modern screens, and although this number is increasing it will be a few years before there are enough theaters to show many of the films produced."

Russia, 2007, 69 min
Dir. Vladimir Kozlov
A documentary about the legendary musician Yuri Morozov, who created a subversive, rebellious new style of Eastern rock during the Brezhnev era. The film features previously unseen KG footage, as well as homemade videos of underground rock concerts. It was made under the creative patronage of Otar Iosseliani. Presented by director Vladimir Kozlov.

Bridget Kendall, the much-admired BBC diplomatic correspondent, never fails to delight and impress audiences by the clarity of her delivery and the perceptiveness of her insights into many societies and cultures from around the world, and especially on Russia. She has spent several extended periods of study in Russia as a British Council Exchange Student at Voronezh State University in 1976-77 and again in 1981-82 at Moscow State University, while reading modern languages at Lady Margaret Hall, Oxford. She subsequently undertook postgraduate research in Soviet Studies at St Antony’s College Oxford and Harvard (USA).

Thursday, 17 April, 6.30 pm
Waterstone’s Piccadilly, 5th Floor, £3
A portrait of one of the most influential Russian writers in the contemporary European cultural context , presented by Irina Prokhorova (New Literary Observer), Professor Alexander Pyatigorsky and Andrei & Nadezhda Prigov. (with video) In English and Russian

Tretyakov Gallery
This issue is dedicated to the 150th anniversary of the Tretyakov Gallery, Russia’s most famous art museum which contains the national collection of Russian art.

The Ties of Blood
Russian Literature from the 21st Century
This time Rossica takes a new form of An Antology of New Russian Writing.
The issue will be presented at the London Book Fair 2008 It's not so long to wait!

Thursday, 17 April, 6.30 pm
Waterstone’s Piccadilly, 5th Floor, £3
A portrait of one of the most influential Russian writers in the contemporary European cultural context , presented by Irina Prokhorova (New Literary Observer), Professor Alexander Pyatigorsky and Andrei & Nadezhda Prigov. (with video) In English and Russian

Tretyakov Gallery
This issue is dedicated to the 150th anniversary of the Tretyakov Gallery, Russia’s most famous art museum which contains the national collection of Russian art.