Ludmila Ulitskaya was born in 1943 in the Urals and graduated from Moscow University with a Degree of Master in Biology. She worked in the Institute of Genetics as a scientist. Shortly before Perestroika she became Repertory Director of the Hebrew Theatre of Moscow and began writing scripts. Ulitskaya can be defined as one of the most far-reaching contemporary Russian writers with over two million books sold worldwide.

Anna Starobinets is one of a handful of Russian authors who writes in the genre of 'intellectual fantasy'. She was born in Moscow in 1978 and graduated in philology at Moscow State University. As a student she worked part time in several different fields, from simultaneous translation and private tutoring, to billposting and waitressing. After her finishing her degree she started work in journalism.

Dina Rubina is one of the most widely-read Russian authors alive today. She was born in 1953, in Tashkent, Uzbekistan, where she later studied music at the Tashkent Conservatory. At sixteen her first short story appeared in the journal Iunost’, which continued to publish her work until the end of the Soviet Union. Life in the colourful environment of Tashkent was not always easy: Rubina had to turn to writing for stage and screen and finally moved to Moscow in the mid-1980s.

Andrey Rodionov is one of the most remarkable figures in contemporary Russian poetry, art, music and theatre. His career began in 2000 in Moscow as a performer on poetry slams, and in 2002 he was awarded the Russian Slam prize. He continues to be a leading figure in the development of the Russian slam poetry movement: in December 2010, as a curator of the SlovoNova poetry festival, he organised the first national Russian slam final in Perm.

Zakhar Prilepin was born near Ryazan in 1975. Prilepin had a varied life before dedicating himself to writing, spending time as a student, as a labourer, as a journalist and as a soldier, serving with the Special Forces in Chechnya. More recently Prilepin has come to the public attention not only as one of the best writers of his generation, but as a committed, and often controversial, political activist on behalf of the ‘Other Russia’ coalition. Prilepin lives in Nizhny Novgorod where he is the regional editor of independent newspaper Novaya Gazeta.

Makanin’s route to his current position as one of the acknowledged masters of contemporary Russian prose is not only a representative tale of the history of Russian literature in the twentieth century, but also a testament to the depth of his talent. Born in 1937 in Orsk, a town straddling the boundary between Europe and Asia, the young Makanin was a chess fanatic. This passion led him to study maths in Moscow, where for many years he worked as a teacher and where he still lives.

Sergei Lukyanenko is one of the foremost Russian writers and one of the few to be acclaimed outside of Russia. After originally studying as a psychiatrist, Lukyanenko chose instead to become a prolific science-fiction writer. He is best known, particularly abroad, for his incredibly popular series of Watches, starting with Night Watch (1998) and ending with Final Watch (2006). The series chronicles the supernatural conflict between two organisations, the Night Watch and Day Watch, who strive to uphold the truce between good and evil.

Dmitry Kosyrev is one of Russia’s leading thriller writers. Kosyrev, who writes under the distinctive alias Master Chen, a legacy of his long-standing interest in the Far East, was born in 1955 and studied Chinese history at Moscow State University and the Nanyang University of Singapore.Since the late 1970s he has been actively involved in the national media, writing on international politics for leading newspapers such as Pravda, Rossiiskaia gazeta and Nezavisimaia gazeta; he is a Member of the Board of the Foreign Policy Association.

Sergei Ivanov is not only one of Russia’s most distinguished historians of Byzantium, but also a leading popular historian and columnist. Since receiving his PhD from Moscow State University in 1984, he has produced over 170 scholarly publications, including Holy Fools in Byzantium and Beyond, which was published in English translation by the Oxford University Press in 2006, and Byzantine Missions, which is currently being translated into English and Czech.

Dmitry Bykov is one of Russia’s most prominent and admired writers and public intellectuals. His often controversial and always engaging opinions can be found in newspapers, magazines, television and radio programmes and, of course, his own polemical novels. Regardless of his ubiquity and capacity for provocation, Bykov is recognised as a superb critic, essayist, novelist and poet, capable of expressing cultural insight with verve and humour.

Andrei Bitov is one of the most important Russian writers of the last fifty years, justly famous for his groundbreaking post-modern novel Pushkin House. Born in Leningrad in 1937, Bitov spent the war in evacuation in the Urals and Uzbekistan. After returning to his native city in 1944, Bitov became a geologist, travelling all over the Soviet Union. He started writing short stories in 1959, but did not become a full-time writer until he moved to Moscow in 1963.

The BOOKS FROM RUSSIA stand was held at the London Book Fair for the third time by the Russian Federal Agency for Press and Mass Communication in collaboration with Academia Rossica. Building on the success of last year, publishers were offered even greater opportunities for creating and expanding business links with the fast growing Russian book market. This was of particular important this year as part of the lead up to the 2011 London Book Fair, where Russia will be the Guest of Honour. Despite being affected by the unexpected volcanic activity, as was the entire London Book Fair, we were very pleased to see that the BOOKS FROM RUSSIA stand was one of the liveliest at the fair.

Vladimir Grigoriev is Deputy Head of the Russian Federal Agency for the Press and Mass Communications and he is a tireless campaigner and champion of Russian literature and culture at all the world's major book fairs: he has famously said, ‘Russian literature should know no boundaries.'

Lev Danilkin, columnist for the Russian magazine, Afisha, is one of Russia most engaging literary critics and independent thinkers. Danilkin graduated from Moscow State University with a B.A. and PhD in philology. He is the former editor of Russian Playboy and is the author of several books, including ‘The Parthian Arrow’ (2006), ‘Circular journeys round the intestines of a beggar’ (2007)

Slavnikova began publishing fiction in the late 1980s (her first novel appeared in 1988), during which time she was also fiction editor, then managing editor, of the important literary magazine ‘Urals'. She has lived and worked in Moscow since 2001.

Maria Galina is one of the most interesting authors among those who made their names in the turbulent 1990s. She writes both literary and science fiction (with ten SF books to her credit). She is also a noted poet, a thoughtful critic, and translator of English and American science fiction, in all of which she excels. She is a winner of many important prizes for her prose and poetry and her critical essays.

A historian of medieval Russia by training, Vladimir Sharov (b. 1952) is the son of a geneticist who turned to writing prose, for children and adults, in the 1960s. Sharov himself began writing fiction in the late 1970s, but it was not until the 1990s that his highly unusual historiosophical novels came before the public gaze.

Dmitry Bykov was born in Moscow in 1967. He studied at Moscow State University's Faculty of Journalism, and journalism is something he remains engaged with: he regularly produces articles, essays and reviews for the leading Russian newspapers and magazines. He has senior editorial positions in various publications, hosts a weekly radio show and appears regularly on Russian TV.

Sergei Lukyanenko, born in Kazakhstan, is one of the foremost Russian science-fiction writers and has received tremendously high acclaim abroad. Originally studying as a psychiatrist, Lukyanenko turned to science-fiction writing with the monthly publication of Where the Mean Enemy Lurks in 1988. However, the works that shot him to the dizzying heights that he now occupies were Knights of the Forty Islands

Dmitry Bykov was born in Moscow in 1967. He studied at Moscow State University's Faculty of Journalism, and journalism is something he remains engaged with: he regularly produces articles, essays and reviews for the leading Russian newspapers and magazines. He has senior editorial positions in various publications, hosts a weekly radio show and appears regularly on Russian TV. Bykov's literary output is voluminous. He has published eight novels, biographies of Pasternak and Bulat Okudjava, several collections of short stories, three volumes of essays and eight collections of poetry. His biography of Pasternak won the National Bestseller Prize and the 2007 Big Book Prize and was a critical and commercial hit, enjoying three print runs.

21 - 29 January
The Moscow-based Sovremennik Theatre is bringing three of their acclaimed productions to London for the first time. Into the Whirlwind, Three Sisters and The Cherry Orchard, directed by Galina Volchek, will be performed in Russian with English surtitles.

28 November, 4pm
Another chance to catch Pavel Bardin's 'mockumentary', documenting the rise of xenophobia and nationalism in Russia. Followed by a Q&A with the director.

Saturday, 20 November, 7.30pm
Richmond Upon Thames Literature Festival
n the year marking the centenary of Tolstoy’s death, Anne Sebba joins A.N. Wilson in discussing the fascinating diaries of Leo Tolstoy’s wife, Sofia. These diaries are a testament to a woman of tremendous vital energy and poetic sensibility who, in the face of provocation and suffering, continued to strive for the higher things in life; to remain indomitable.

Academia Rossica and the Federal Agency for Press and Mass Communication invite you to take part in a competition to think up a slogan for the Russian stand and for the Russia Market Focus programme at the London Book Fair 2010.
We need your help to come up with a biright, contemporary and effective slogan which will place Russian literature and the Russian publishing industry at one of the most prestigious international publishing forums. The slogan will be used at the Russian stand on all marketing material - press releases, brochures, banners, etc.

4th Russian Film Festival, 29 October – 7 November Dear Friends! The Russian Film Festival is getting ready to present London with this year's best premieres in Russian cinema. The Main Programme As always, the main festival programme showcases the best Russian films, award-winners at major international and Russian film festivals. These films include, 'Silent Souls' (Ovsyanki), directed by Alexei Fedorchenko and winner of three prizes at the Venice Film Festival, 'How I Ended This Summer' by Alexei Popogrebsky, awarded prizes for best actor and best cinematography at the Berlinale, 'One War' by Vera Glagoleva, Grand Prix winner at Sofia International Film Festival and Russia's nomination for the Oscars and Svetlana Proscurina's latest film 'The Truce', winner of the main prize at Kinotavr. As in previous years, guests include directors, producers and actors who come to London specially to present their films at the festival. Documentaries – 'Noughties Art' This year's documentary programme sums up the last decade with screenings of the ten best Russian documentary films, one for each year. The programme is presented by the great director and documentary maker, Vitaly Mansky, president of the ArtDocFest. Animation Alongside the main programme and documentaries, we have also put together a comprehensive and diverse programme of animation. As part of our festival 'Astral dogs Belka and Strelka' take a trip to outer space captained by director Inna Evlannikova, while Irina Evteeva, famous for her graceful and original style, brings 'Little Tragedies' to the screen. These films will capture the hearts of adults and childen alike. As well as an extensive programme of full length animation, we will be screening a special programme for our young audiences, presenting the best of award-winning Russian animated films of recent years Special Screenings This year's film festival also includes a retrospective of the great actor and director Sergei Bondarchuk's films and the works of Leo Tolstoy on film, as well as a retrospective of masters of Soviet and Russian animation. Venue For the fourth year in a row the Russian Film Festival will take place at the Apollo Piccadilly, one of London's best cinemas.

We are excited to tell you that Maria Galina's book ‘On Two Feet’ made top ten poetical collections in 2009 according to Moskovski Schyot (The Moscow Tally) literary prize. The overall winner of the prize will be named tomorrow on Friday at the 5th Moscow International Book Festival, one hour before Maria will appear at Apollo cinema in London to read her poetry at the event organised by Academia Rossica. We congratulate Maria with this huge achievement and keep our fingers crossed that she takes the first prize.

Dmitry Bykov will participate in the Salisbury International Arts Festival and Hay Festival of Arts and Literature:
Friday 28 May, 11:30am
Salisbury International Arts Festival
Saturday 29 May, 1pm
Hay Festival of Arts and Literature

Sunday 30 May, 5pm, Apollo Cinema
Immerse yourself in the world of surrealist Russian animation! On this very special Sunday evening we will be holding a one off screening of spectacular new Russian award-winning animations, presented by the famous Russian writer, Dmitry Bykov. The animations are based on stories by some of Russia’s wittiest writers, such as Chekhov, Krzhizhanovsky, Mayakovsky and Kharms, and include the Nika prize

Thursday 27 May, 7pm, Apollo Cinema
Dmitry Bykov is one of Russia most charismatic and controversial intellectual figures – an award winning writer, a phenomenal film buff and a successful tv and radio presenter. Dmitry will be interviewed by Alexander Kan from BBC World Service. They will be discussing today’s Russia, Bykov’s latest books, including Living Souls, which has recently been published in Britain, new Russian films and the crossover themes in Russian and and British culture (in Russian).

Is Tolstoy Alive? Vladimir Tolstoy in conversation with James Meek Monday 19 April, 6.30pm at Waterstones Piccadilly* Vladimir Tolstoy is the great great grandson of one of the biggest Russian writers – Leo Tolstoy. Since 1994 he has been the director of the Leo Tolstoy museum in Yasnaya Polyana. Vladimir is often seen as the official representative of Leo Tolstoy’s cultural heritage. In 2001 he made a famous appeal to the Russian Orthodox Church, petitioning the repeal of the excommunication of his famous ancestor – a historical event that in Vladimir Tolstoy’s view turned out to have a fatal effect on the whole of Russian society. Under Vladimir Tolstoy’s guidance Yasnaya Polyana has been set up not only as a museum documenting Leo Tolstoy’s life and literary work, but also as a place to keep the spirit of the great writer alive. Writers and intellectuals are regularly invited to take part in seminars and discuss the fundamental questions of life that for the great Russian writer were of such high importance. The museum also runs its own publishing house and offers translation grants to support new translations of Leo Tolstoy’s books. James Meek is a writer, critic and reporter living in London. He is the author of four novels and two collections of short stories. Between 1991 and 1999 he lived in Ukraine and Russia, where his 2005 novel The People's Act of Love was set. In 1994 he visited Vladimir Tolstoy at the ancestral Tolstoy estate in Yasnaya Polyana. His most recent book, We Are Now Beginning Our Descent, was awarded the Prince Maurice Prize. * Tickets to this event are £3, redeemable against purchase of any book. Call Waterstones Piccadilly on 020 7851 2400 to book tickets in advance

Boris Ryzhy Director Aliona van der Horst NETHERLANDS/2008/BETACAM/COLOUR/59 MIN/RUSSIAN ENGLISH SUBTITLES Prize-winning documentary film by Aliona van der Horst about Russian poet Boris Ryzhy "All of my poems speak only of love and death," wrote Russian poet Boris Ryzhy (1974-2001) in 2000. "But all the same, I'm happy with my wife and son." One year later, the charming young tough, who had already achieved considerable literary renown, hanged himself-in so doing following in the footsteps of many Russian artists before him. The author of a thousand poems and recipient of Russia's most prestigious literary prize, he was only 26 years old. Trying to understand what drove him to suicide, van der Horst uncovers the hidden drama of the entire perestroika generation, for which Boris Ryzhy was the standard bearer. "We were deprived of communism without being given access to capitalism," explains his widow. The perestroika years of the Yeltsin era, a time that we in the West associate with democracy and freedom, have an entirely different meaning in the anarchic streets of Yekaterinenburg, the industrial city where Ryzhy grew up and which so marked his life and work. However, despite this dark reality, Ryzhy's love of life is what comes to the fore in van der Horst's poetic film: through his work, pain is transformed into grace.

Sergei Lukyanenko, born in Kazakhstan, is one of the foremost Russian science-fiction writers and has received tremendously high acclaim abroad. Originally studying as a psychiatrist, Lukyanenko turned to science-fiction writing with the monthly publication of Where the Mean Enemy Lurks in 1988. However, the works that shot him to the dizzying heights that he now occupies were Knights of the Forty Islands, which won best heroic-romantic fantasy and science-fiction award in 1995, and The Nuclear Dream.

Video poetry is a new phenomena in the contemporary Russian arts scene. In today’s world, media has no limits - information is mixed together with a myriad of fast, dynamic images, and punchy sounds. Video poetry has incorporated these elements that are all around us and used them to create a new art form which has become extremely popular in Russia during the last couple of years. Leading experimental poets and film directors, including Kirill Serebrennikov and Valeria Gai Germanika, amongst others, have come together to create films based on poems read by the poets themselves. The performances are also strongly influenced by European artists of the 70s and 80s, such as Gianni Toti, Richard Kostelanetz, Arnaldo Antunes and Caterina Davinio, whose experimental work was considered arthouse and cutting edge thirty years ago, but seems to strike a chord with the world we live in today. In our culture of multi-media, the merging of poetry, music and film feels only natural. ACADEMIA ROSSICA will be premiering three programmes of video poetry at SLOVO literature festival. The three programmes will offer a unique opportunity to see the works of fifteen of the most important names in Russian video poetry, including Andrei Rodionov, Inna Kabysh and Alina Butokhnovskaya. Programme 1 & 3 will be screened at the Apollo Cinema, Piccadilly at 18.30 on 20 & 22 April. To book tickets, call 0871 220 6000 or go to www.apollocinemas.com Programme 2 includes readings from cutting edge contemporary Russian and British poets and takes place at Calvert 22 art gallery at 18.30. Attendance is by invitation only. These events are part of the SLOVO festival and organised in collaboration with Tom Chivers and Penned in the Margins. These programmes are curated by Andrei Rodionov, one of the leading contemporary Russian poets and Ekaterina Troepolskaya, who also curates the Piataya Noga video poetry festival.

The Debut Prize was instituted in 2000 by State Duma Deputy Andrei Skoch, creator of the humanitarian foundation Pokolenie (Generation). Skoch originally conceived of Pokolenie as a medical charity to help provincial Russian clinics, sick children and pensioners. The Debut, Pokolenie’s only cultural project to date, has become a prize of national renown. The Debut has a strict age limit: entrants may not be over the age of 25. Members of the Russian literary establishment were skeptical at first. They doubted that writers so young would have something to say to readers. Young writers might try their hand at poetry, they argued, but they didn’t have enough life experience to write a story or a novel. However, the Debut has shown that a person’s life experience at any age is complete in and of itself. What a person knows about the world at 20 has been forgotten by the time he is 30. What he could have written at 20 he will no longer write at 30. He will write something else. Strangely enough, most writers live without their first book: it remains in their minds, in drafts. The Debut inspires young Russian writers to complete that first book. The Debut prompts them to commit to literature their unique experience, what might be described as the shock of their first encounter with grown-up life. Not just their new existential status, but daily events. Suddenly a person is faced with bank applications, having to pay rent and buy insurance; no one will fill out the forms for him, no one will answer for him. And he suddenly feels horribly alone in the world. This sort of loneliness, like any other, has a huge creative potential. The Debut brings in the first literary harvest of the writing generation — and it does so every year. 2010 marks the first year of Debut’s international program. Funded by Pokolenie, the program aims to present the works of Debut finalists and winners to the foreign reader. Collections of these works will be translated and their authors will be sent to international book fairs and festivals. This year’s collection appears in English and Chinese. Future collections will be brought out in French, German, Italian, Spanish, Japanese, and so on. Since the number of Debut finalists and winners is only increasing, as is their level and mastery, publication of their works in English will continue.